EDDIE SPAGHETTI RX IN-STORE APRIL 21!

“Supersucker Soul Brother Number One” Eddie Spaghetti will perform live at The Record Exchange (1105 W. Idaho St., Downtown Boise) at 5:30 p.m. Thursday, April 21. As always, this Record Exchange in-store performance is free and all ages.

LISTEN TO “NEVER THOUGHT I WOULD” FROM SUNDOWNER HERE.

Everybody’s got that pal they turn to whenever they need a party, and for a long time Eddie Spaghetti, Supersucker Soul Brother Number One, has been that guy. Reveling in the center stage spotlight and the wallop of thousands of PAs for thousands of shows across the land, Eddie’s learned how to coax the inner life of the party out of all of us. And Sundowner, Eddie’s third solo album and first for his longtime fans at Bloodshot Records, unapologetically wears the love of the good times on its greasy flannel sleeve.

At the heart of Sundowner is a back-of-the-hand dismissal of the fussy genre lines between hard rock and hard country, all done with a sly nod to the bartender that the next round’s on him. The broad mix of source material shows that, in the right hands, C&W cats like Dave Dudley (the snarling “Cowboy Boots”) and Johnny Cash (“What Do I Care”) can obviously nestle up comfortably next to punk rock snots like the Dwarves (“Everybody’s Girl”), or that Rig Rock legend Del Reeves (“Girl On the Billboard”) and Touch & Go Records cult faves the Lee Harvey Oswald Band (“Jesus Never Lived On Mars”) share a surprising commonality.

Eddie takes ‘em all wherever they come from, strips ‘em down and builds ‘em back up around meat-and-potatoes arrangements, some devil-horn-throwing elan and a warmly ragged voice befitting his Southwestern roots. And who better to take on Dean Martin’s self-styled lounge lizard paean “Party Dolls and Wine”? No one we can think of. Sundowner also has songs by a couple of friends that Eddie has recorded with over the years: Willie Nelson (the after-hours croon “Always On My Mind”) and Steve Earle (the chiming “If You Fall in Love”), ‘cuz, as he says, it was “fun to put a little ‘Spaghetti’ on them.”

On Sundowner’s originals, Eddie, almost bashfully, lets some pop smarts shine through, without sacrificing any of the muscle. Check the Velcro-in-your-head harmonies on the title track or the dusty cantina vibe of “Marie.” The opening track, “Never Thought I Would,” positively soars with big hooks, the rush of the big sky and the open road. It’s gonna be hard to keep the speed steady when you’re pounding along to the song with your boot on the accelerator.

For those concerned with that broad creative stroke smearing into a blur, throughout Sundowner Eddie has used a similar cast of musicians to record as he has in the past, including Supersuckers members Scott Churilla (drums and percussion), Metal Marty Chandler (lead guitar), engineer David Fisher, and even his son, Quattro. For the full Supersuckers story, visit supersuckers.com.

NEW BRETT NETSON ALBUM, WITH LINER NOTES BY RECORD EXCHANGE’S JOHN O.

The Record Exchange is really excited about the new, soon-to-be released Brett Netson album, especially after hearing a couple preview tracks on RX Manager John O.‘s Grouched Bitterstream blog.

John O. is writing the liner notes for the album, and his words, reprinted below from their original posts on the Bitterstream, offer poignant perspective into Netson’s new songs. Go HERE to read the original posts and hear the music.

“We Should All Be Commended”

It’s important, like our freedom.

Ruminative, semi folkish, plaintive. Intimate sounding, so it’s good in the headphones. Half recitation, but not rapped. Well, not really. It’s a murder mystery, but there are no cops left to protect and serve.

They are monsters, and they love us.

It starts with silence, and ends with silence. Life is always a struggle. The days can be long. Sometimes it seems like nothing is happening. But, something is always happening. Always. Soon you will have to pay attention.

Keep your head above the water .

The only information he gave me about this song was

“This was for the death of Chalmers Johnson.”

Keep the Elevators clean.

The words are felt as much heard, and it takes some work to pick them out. Disquieting imagery emerges upon repeated listening to this song. Your cousin isn’t the greatest person who has ever lived.

Cancer comes like an angel, And crawls in our beds for no reasons
.

Things could be different. Death could mean release. Life could be harder. Don’t take it for granted. Be ready for what could be happening.

It may not be happily, but it is forever after.

“Someone Else”

It’s harder than it looks.

Even with the kids gone, you are no longer as cute as you once were. Perhaps you were never cute, but that’s not true. Young people are cute. They are fresh. They believe in shit just to believe. Or they don’t believe in anything because they think it matters. They don’t think about mortality, but if they do, it’s very melodramatic and angst-y.

It’s cute.

But the lifer, the grinder, the guy who doesn’t give up, who never stops creating things, who has the spark, can overcome the barrage of nay saying do nothings who never were and never will be. He can, I know he can.

Because I have proof. It’s here. The voice, The unmistakable voice of someone who just does not have it in him to let you off easy, who has to say it. Even when it’s wrong. It’s HIS voice. And you HAVE to listen. You NEED to listen to this. Because, while it won’t save your life, (that’s YOUR job, fucker,) it won’t hurt to listen to this. You will not regret one second.

The grind, the riff, the voice, it’s all here, and the danger. The danger that you might, for one second, be tuned in to some real shit, by a real person, who creates this glorious, thudding, wallop of sound which insinuates itself into your conscious mind.

Just like the great ones who have come before.

There are other tracks I might or might not put up here, but rest assured. They are all great. They go off on unexpected tangents which will surprise people familiar with this man’s work. Who think it’s all about the big messy clusterfuck of the great Caustic Resin thud. It’s an expansion of that. And this album will kick your ass serious.

No joke.

It’s harder than it looks.

TELEKINESIS IN-STORE THURSDAY (6:30)!

Telekinesis (Merge Records) will perform live at The Record Exchange (1105 W. Idaho St., Downtown Boise) at 6:30 p.m. Thursday, March 24. As always, this Record Exchange in-store performance is free and all ages.

LISTEN TO FULL TELEKINESIS SONGS HERE.

When Telekinesis (telekinesismusic.com) mastermind Michael Benjamin Lerner set out to record songs for the follow-up to his debut album Telekinesis!, he found himself with no band, a case of vertigo and a wrecked van. The long-distance relationship that inspired his debut album’s songs of wanderlust had ended, and he had just returned from a much-needed escape to Berlin where he banished himself to a room in the warehouse district to write songs from 9 to 5 each day.

With the original recording date scrapped, Michael was inspired (by the heavy, fuzzy bass in Flin Flon’s A-OK) to buy a bass guitar and, in a sudden burst of inspiration, wrote four more songs for the album.

His second attempt at recording led him to Portland and Jackpot! Studios. Michael and Chris Walla continued their partnership from Telekinesis! and again recorded to tape. They tossed out all the rules—as they are wont to do when they get together—and, as Michael says, “went a little crazy,” with impromptu dance parties and recording drum parts backwards.

The result of all of this is 12 Desperate Straight Lines, twelve new songs of heartache, anger and even a little hopefulness. Telekinesis has re-emerged with a new band featuring Jason Narducy (Robert Pollard band, Bob Mould band) on bass and Cody Votolato (Jaguar Love, The Blood Brothers) on guitar.

The van is fixed, the dizziness is gone, and Michael Benjamin Lerner has returned with more proof that Spin was right when they said, “If you don’t like Telekinesis, your ears don’t work.”

RECORD EXCHANGE EXCLUSIVES: BRENDAN BENSON, VANITY THEFT

What is a Record Exchange exclusive? It’s a CD, vinyl LP, 7-inch, DVD or other product you can only find at the RX — no big box, corporate record store chain or uncle’s basement will have it.

NEW EXCLUSIVES:

Brendan Benson Lapalco vinyl LP
Vanity Theft Get What You Came For CD
Vanity Theft Anatomy EP

OTHER RECENT EXCLUSIVES:

BLACK FRIDAY 2011 EXCLUSIVES – FULL LIST HERE

Black Lips/Strange Boys Bruise Cruise Vol. 4 7-inch
Quintron and Miss Pussycat/Turbo Fruits Bruise Cruise Vol. 3 7-inch
Wanda Jackson Thunder on the Mountain/Dust on the Bible 7-inch
Dungen Oga Nasa Mum/Highway Wolf 7-inch
Riley Grandma’s Roadhouse vinyl LP
Booker T and the MG’s McLemore Avenue (Abbey Road covers) vinyl LP
Kate Bush Hounds of Love vinyl LP
Kate Bush The Sensual World vinyl LP
Harry Nilsson A Little Touch of Schmilsson vinyl LP
Dex Romweber Duo Third Man Live 02-04-2010 vinyl LP
Conan O’Brien and the Legally Prohibited Band Third Man Live 06-10-2010 vinyl LP
Pujol Third Man Live 05-21-2010 vinyl LP
Tyvek Third Man Live 09-27-2010 vinyl LP
Gregory Alan Isakov This Empty Northern Hemisphere vinyl LP
Josh Ritter The Animal Years CD reissue – includes bonus CD with live acoustic performance of entire album!
Hellogoodbye Would It Kill You? vinyl LP
Pearl Jam Live on Ten Legs CD and vinyl LP
Josh Ritter The Animal Years vinyl LP (first time on wax – includes CD with live acoustic performance of entire album!)
Band of Horses/Cee-lo Green split 7-inch (Band of Horses covering Cee-lo, Cee-lo covering Band of Horses)
The Decemberists The King is Dead deluxe box set
Bing Crosby and David Bowie Little Drummer Boy/Peace on Earth 7-inch (red vinyl)
John Fahey Volume One/Blind Joe Death vinyl LP
John Wesley Harding Sings to a Small Guitar Vol. II CD
The Duke Spirit Kusama CD EP
Os Haxixins Noites Brancas 7-inch
Right Now 7 to 10 7-inch
Right Now Carry Me Home vinyl LP
Carbon Leaf Christmas Child CD
The Knife Seeds 12-inch
Fitz and the Tantrums Santa Stole My Lady 7-inch
The Greenhornes Saying Goodbye 7-inch
Laura Marling Blues Run the Game 7-inch
The Raconteurs Broken Boy Soldiers 180-gram vinyl LP
Dead Weather/Third Man vinyl: Tons of new 7-inches, 12-inches and full-length LPs from Jack White’s label, including six Dead Weather titles as well as new cuts from Jack White, Dex Romweber Duo, Conan O’Brien, Carl Sagan, Dan Sartain, Wanda Jackson, Jon Wayne and Secret Sisters.
Keith Richards Life book
DJ Shadow 4 Track Era vinyl LP
Widespread Panic Johnson City 2001 3CD set
The Shipping News One Less Heartless to Fear CD
The Answering Machine Another City Another Story CD
Scott Miller Christmas Gift CD
Wingless Angels (Keith Richards) Wingless Angels CD EXTREMELY LIMITED!
Wingless Angels (Keith Richards) Volumes I and II CD Box Set
Bad Books Bad Books CD
Bobby Long Stranger Songs vinyl LP
California Guitar Trio Andromeda vinyl LP
The Shipping News One Less Heartless to Fear vinyl LP
Jill Cunniff City Beach vinyl LP, available on red/yellow or orange/pink colored vinyl; both versions come with a bonus 7-inch! Limited to 250 copies (that’s in the entire universe).
Keith Richards Vintage Vinos CD (retrospective from out of print studio albums, plus live tracks)
Matisyahu Shake Off the Dust … ARISE CD (reissue of out-of-print, fan-favorite indie debut!
Biffy Clyro Only Revolutions CD
Broken Spindles Document No. 2 (handmade CD, extremely limited)
Dapose Positive Feedback limited-edition vinyl LP
Touch People Everyone Is Not Alive limited-edition vinyl LP
Brendon Benson Well & Goode 7-inch
Paul McCartney and Wings Band on the Run 7-inch. Taken from the forthcoming Paul McCartney Archive Collection reissue of Band On The Run, this limited-edition, highly-collectible vinyl 7-inch replicates the original U.S. single release that shot to the top of the Billboard Hot 100 back in June of 1974. Housed in a deluxe picture sleeve and digitally re-mastered from the original tapes, this is sure to become a sought after Paul McCartney single release for years to come.
Elvis Costello This Year’s Model 180-gram half-speed master vinyl LP (only 5,000 made!)
Elvis Costello Armed Forces 180-gram half-speed master vinyl LP (only 5,000 made!)
Pixies Bossanova 180-gram half-speed master vinyl LP (only 5,000 made!)
Klaxons Surfing the Void CD
Puscifer “C” is for … vinyl LP
Wingless Angels (Keith Richards) Volume I and II
Shadow Shadow Shade Shadow Shadow Shade CD
Soundgarden Telephantasm 3LP vinyl version. Read more HERE.
Amy Correia You Go Your Way CD
Darden Smith Marathon CD
Fever Ray Mercy Street 7-inch
Lloyd Cole Broken Record CD
Nicole Atkins Vultures 7-inch
Cee Lo F**k You CD single, only 99 cents! Read more HERE
Maroon 5 Hands All Over Indie Store Version with bonus tracks
Weezer Raditude Photos 144-page color photo book
Puscifer Sound Into Blood Into Wine CD
Puscifer “C” is For … CD
Sea Wolf Turn the Dirt Over 7-inch
Hayley Taylor One Foot in Front of the Other CD
Mason Jennings Live at First Ave. CD
Brad Best Friends? vinyl LP
Corinne Bailey Rae The Sea vinyl LP
Paper Bird When the River Took Flight CD
Record Store Days book
Coconut Records Nighttiming vinyl LP
Crooked Fingers Forfeit/Fortune vinyl LP
Josh Ritter Golden Age of Radio CD
Josh Ritter S/T CD
Patton Oswalt 222 CD
Right Away, Great Captain! The Eventually Home CD
Warren Haynes The Lone EP
William Fitzsimmons Derivatives CD
Brad Best Friends? CD
The Coral Butterfly House standard/deluxe CD
The Damnwells Golden Days DVD
John Wesley Harding Sings to a Small Guitar Vol. 1 CD
Kristin Hersh Crooked CD
Neu! Vinyl Box Set
Earl Greyhound Suspicious Package CD
Shonen Knife Live at Mowawk Place 2009 DVD
Donavon Frankenreiter Revisited vinyl LP
Various Artists Eat, Pray, Love soundtrack CD
Beck Sea Change half-speed master vinyl LP
Cowboy Junkies Whites Off Earth Now! half-speed master vinyl LP
Elvis Costello My Aim Is True half-speed master vinyl LP
Faith No More Angel Dust half-speed master vinyl LP
Megadeth Countdown to Extinction half-speed master vinyl LP
Pixies Surfer Rosa half-speed master vinyl LP
Pixies Doolittle half-speed master vinyl LP
Bad Brains Live at CBGB 1982 vinyl LP
Builders and the Butchers Where the Roots All Grow CD
Earl Greyhound Soft Targets CD
Filter Inevitable Relapse 7-inch
Junip (Jose Gonzalez) Rope and Summit vinyl LP
Matthew Ryan Dear Lover Acoustic Version CD
Via Audio Animalore CD and vinyl LP
William Fitzsimmons Derivatives CD
Donavon Frankenreiter Revisited CD
Guggenheim Grotto Universe is Laughing CD
Hurricane Bells Tonight is the Ghost CD
I Can Make a Mess Like Nobody’s Business The World We Know CD
Nick Cave and the Bad Seeds The Mercy Seat 12-inch (limited edition white vinyl!)
STS9 Ad Explorata vinyl LP
The Glitch Mob Drink the Sea CD
Mz Streamz It’s Alive CD
Shannon McNally Coldwater CD
Snow and Voices Anything That Moves CD
Toots and the Maytals Flip and Twist CD
Record Store Day exclusives. We still have limited quantities left of select titles!
Nirvana In Utero 180-gram yellow colored vinyl LP
Nirvana MTV Unplugged 180-gram red colored vinyl LP
Nirvana Nevermind colored vinyl LP
Slacktone Warning: Reverb Instrumentals CD
Randall Bramlett The Meantime CD
Lou Reed Satellite Of Love 7-inch
The Replacements I’ll Be You 7-inch
The Ramones California Sun 7-inch
Kate Nash My Best Friend is You Indie Store Version with bonus track.
The Ravenna Colt Slight Spell CD and vinyl LP.
Vampire Weekend Contra indie-store version bundled with a limited-edition bonus CD featuring three exclusive tracks!
BlakRoc BlakRoc CD and vinyl LP, ONLY VERSION WITH LUDACRIS/ODB TRACK “COOCHIE” and it’s going quickly! Get it while you can — very limited quantities remaining of this first pressing!
Old Crow Medicine Show Greetings From Wawa limited-edition CD reissue.
DJ Shadow In L.A. 10-31-09 CD
Jack Johnson Brushfire Fairytales limited-edition CD
Josh Ritter Hello Starling vinyl/double CD reissue
The Beatles Abbey Road vinyl box (w/ t-shirt and poster)
Zac Brown Band Live From Bonnaroo CD EP

SHARON VAN ETTEN IN-STORE APRIL 1!

Sharon Van Etten will perform live at The Record Exchange (1105 W. Idaho St., Downtown Boise) at 3 p.m. Friday, April 1. As always, this Record Exchange in-store performance is free and all ages. She’s also performing at Neurolux that night and we have tickets for sale here at the store.

HEAR TRACKS FROM SHARON VAN ETTEN’S TWO ALBUMS HERE.

Sharon Van Etten (sharonvanetten.com) came to Brooklyn via Jersey via Tennessee via Jersey. Along the way, she sang in choirs, rejected her school’s music program, worked at an all-ages venue, trained as a sommelier and got a full time job at a record label. She also had some bad experiences in relationships.

OK, more than some.

epic, Van Etten’s second album, lays a romantic melancholy lining over the gravel and dirt of heartbreak, without one honest thought or feeling spared. She sings of betrayal, obsession, egotism and all the other emotions we hate in others and recognize in ourselves. Yet, Van Etten’s grounded and clenched vocals convey the sense of hope – the notion that beauty can come out of the worst of circumstances. epic is indeed that beauty.

The album was recorded at Miner Street Studios in Philadelphia with Brian McTear. Where Van Etten’s first record, Because I Was In Love, explored her thoughts on love through minimalism and sparseness, epic embellishes her music to grandiose luminosity. Guitar and singing are joined by drums, piano, lap steel and a trio of backing vocalists: Meg Baird (Espers), Cat Martino and Jessica Larrabee (She Keeps Bees). The result is a fully realized album that astounds as it elucidates, disturbs as it soothes.  The final track, “Love More,” has already been covered live in a collaborative effort between Sharon fans Bon Iver and The National.

A few things need to be made clear about SVE’s music. She’s not the type of “female singer/songwriter” who champions women-centric perspectives and denies personal accountability. Nor is she a strident provocateur. Rather, Van Etten is a performer who fully embraces her femininity while confidently expressing it through intelligent and mature perspectives on relationships. Those turned off by the provincialism of other performers will be pleased that you can identify with Van Etten’s incisive and universal observations about love and loss.

Since her last album, Sharon Van Etten has sung on The Antlers’ Hospice and performed with them at Radio City Music Hall, sung improv on the Mike Reed Trio’s upcoming album, recorded backup vocals for Swedish popstar Anna Ternheim, appeared on the compilation with the recent issue of Esopus, collaborated with Megafaun (check YouTube!), will be on a soundtrack for the film The Builder along with Bon Iver and Phosphorescent, and has a seven-inch coming out this summer on Polyvinyl. After years of playing repeatedly around the New York scene, Van Etten is preparing for a series of tours that will take her through Europe and the United States. A full band will be realizing epic live.

WHAT’S BEEN SAID ABOUT SHARON VAN ETTEN:

“‘Love More’ stuns on its own terms, but what’s better — and entirely appropriate, given the song’s overarching theme of the deliverance possible in perseverance — is the way it teases of the music Van Etten might now make. It proves that she deserves our patience.”

— Grayson Currin, Pitchfork

“Whether your tastes run to Sixties folkies Sandy Denny or Joan Baez, the pointillist intensity of Low or the elegant string-laden art-rock of The Velvet Underground and Nico, seek out Sharon Van Etten.”

— Anders Smith Lindall, Chicago Sun-Times

“She is alone except for her electric guitar and she looks tiny amid the vast setting . . . But, wow, what songs. Her butterfly voice floats over — take your pick — hypnotic/repetitive/trancy guitar strumming. She’s not attempting more than a few chords per song. But the effect is mesmerizing. She writes about broken relationships – an old, perhaps hackneyed subject — with switchblade insight . . . The voice is direct, unvarnished, the sound of truth. ‘First day, first act, oh, my God … I feel like I have something to prove,’ she says with disarming frankness. Mission accomplished.”

— Greg Kot, Chicago Tribune

“I’ve fallen hopelessly in love with Sharon Van Etten.”

— Tom Ravenscroft, NME

“Despite a solo presentation, Van Etten’s heartstring plucking and Twee twang were aplenty and nailed the history of her Nashville upbringing. A sleeper hit of the day, Van Etten’s set was like the juicy start of a chapter book — far before the plot and action were given a chance to thicken.”

— Selena Fragassi, VenusZine

“Performing solo, opener Sharon Van Etten didn’t need the monster sound system, but with it the Brooklyn-based singer-guitarist’s sobering yet captivating folk was as bright as the blazing sun, offset mildly by the slight breeze wafting through the impressive crowd of early birds helping to kick off this year’s indie survey.”

— Areif Sless-Kitain, Time Out Chicago

“It’s remarkable that even massively amplified in the outdoors, her gorgeous voice was able to sound so intimate. She may not have had the same name recognition as some of the others in the lineup, but hopefully for the festival early birds, she’ll have been a welcome discovery.”

— Frank Yang, Chromewaves