JONATHAN WARREN AND THE BILLY GOATS LIVE AT THE RECORD EXCHANGE!

Jonathan Warren and the Billy Goats will perform live at The Record Exchange (1105 W. Idaho St., Downtown Boise) at 5:30 p.m. Friday, April 22. As always, this Record Exchange in-store performance is free and all ages.

The self-described “Progressive Psychobilly Folk Grass” band’s new album A Little Something Stronger Than Wine will be available at the in-store. Later that night, they’ll perform at a CD release party at Tom Grainey’s (10 p.m.).

In April of 2007, Jonathan Warren (jonathanwarrenmusic.com) packed up his life and his guitar to move from Knoxville, Tennessee to the Northwest. He brought with him strong roots in traditional bluegrass and old-time music inherent in the Southern Appalachians. Warren teamed up with David Sather-Smith, a vocalist and classically trained cellist. Shortly afterwards, Idaho native Ty Clayton traded in his electric guitar for a mandolin to play with the Goats. Austin Clark brings a fresh energy on the violin, and Conner Madden, originally from New York, finalizes the band with percussion.

What is Progressive Psychobilly Folk Grass?
It’s a goat chewing on a can, it’s a cat scratching at your door, it’s foot stompin’ music that makes you want to eat a biscuit. Melodies you wake up humming in the morning, and stick to your bones like peach cobbler.
It’s new-timey, post-retro, pre-apocolyptic, southern Appalachian gypsy porch swing. It’s Jonathan Warren and the Billy Goats. Enjoy.

MIKE WATT MEET-AND-GREET EASTER SUNDAY, PLUS A SPECIAL PERFORMANCE BY SHOW OPENER JUMPING SHARKS!

Mike Watt (Minutemen, fIREHOSE) will visit The Record Exchange (1105 W. Idaho St., Downtown Boise) for a meet-and-greet at 5 p.m. Sunday, April 24. As always, this Record Exchange in-store event is free and all ages.

The punk-rock legend will meet with fans and sign autographs prior to his show next door at Neurolux (8 p.m.). The Record Exchange will have a special tour poster and CD and vinyl copies of Watt’s latest album Hyphenated-Man. The meet-and-greet will include a special performance by Jumping Sharks, who are opening for Watt at Neurolux.

Twenty-six years after Minutemen‘s landmark Double Nickels on the Dime, Mike Watt returns to the familiar punk and jazz influenced sound he and his band made famous. This time, it’s more refined and more mature without lacking any of the energy or urgency of yesteryear. Hyphenated-Man features thirty songs in forty-seven minutes with Watt on bass, his deep baritone singing melodies and reciting spoken word while the Missingmen (Raul Morales and Tom Watson) wail on drums and guitar.

Add to all of this a special redrawn cover by legendary artist Raymond Pettibon, and you’ve got an album worthy of the history that led up to it. Watt is a legend and his output over the years (Minutemen, fIREHOSE, three solo efforts and currently his role with Iggy and the Stooges) has not only influenced several generations, but also helped to create and maintain an entire music scene.

Jumping Sharks‘ new full-length album Dreams of the Dying, Light of the Living was recorded at Audible Alchemy in Portland, a studio that has recorded many well-known bands, including Modest Mouse and Built to Spill. Music veteran Steven Wray Lobdell, who recorded and co-produced Built to Spill’s You in Reverse, produced, recorded and mixed the album.

In their short time on the music scene, Jumping Sharks (Zane Norsworthy, Reggie Townley, Mike Swain, Ben Wieland) have earned a reputation for their powerful musicianship, well-crafted lyrics, and wild, extended breakdowns. While their sound is distinctive and resists immediate categorization, influences include classic rock ranging from the Beatles to the Grateful Dead — as well as indie band favorites Ween, Flaming Lips and Super Furry Animals — with a little Tex Ritter, Woody Guthrie and Miles Davis thrown in for good measure.

MEET RECORD EXCHANGE RECORD STORE DAY MIXTAPE CONTEST WINNER ATHENA BARKDULL — AND HEAR HER MIX TODAY AFTER EL TEN ELEVEN!

Congratulations to Athena Barkdull, winner of the second annual Record Exchange Mixtape Contest!

Athena’s mix, Feels Like You, features songs from My Morning Jacket, Sigur Ros, Damien Jurado, Sufjan Stevens, Broken Social Scene, Explosions in the Sky, Van Morrison, Sharon Van Etten and a bunch of other artists we really like.

Oh yeah, and she created some really pretty artwork and included a notebook with poetic musings on each track. Needless to say, it was a stellar piece of mixtape-itude — which made our decision easily unanimous.

Thanks to Boise Weekly writer Tara Morgan for being a guest celebrity judge (and for her great article on Record Store Day)!

You can hear Athena’s mix following the El Ten Eleven Record Store Day in-store at 5 p.m. today!

HILLFOLK NOIR/FINN RIGGINS RECORD STORE DAY LIMITED-EDITION 7-INCH!

EL TEN ELEVEN RECORD STORE DAY IN-STORE AT THE RECORD EXCHANGE!

El Ten Eleven (elteneleven.com) will perform live at The Record Exchange (1105 W. Idaho St. in Downtown Boise) on Record Store Day (recordstoreday.com) at 5 p.m. Saturday, April 16. As always, this Record Exchange in-store performance is free and all ages. El Ten Eleven also will perform at Neurolux (neurolux.com) later that evening (8 p.m.); advance tickets ($8) are available at The Record Exchange.

Keeping in line with their incessant touring regimen, Los Angeles-based instrumental duo El Ten Eleven (elteneleven.com) are on their second tour of the year and it’s only April. The pair, comprised of Kristian Dunn on double neck bass/guitar and fretless bass and drummer Tim Fogarty, will showcase their jaw-dropping musical acrobatics in Boise at The Record Exchange and Neurolux on Record Store Day.

Although their fourth album may cheekily be called It’s Still Like A Secret (released Nov. 9, 2010 on the band’s own Fake Record Label imprint), El Ten Eleven’s brand of pulsating instrumental rock is far from a secret. For the past eight years, the duo has been exciting listeners with a collection of albums filled with densely textured rhythms, rumbling bass and an ingenious use of guitars and looping pedals, steadily amassing a following by playing more than 400 shows. All of this has caused Relix to feature the band as one of “5 Artists You Should Know About” in their “On The Verge” section in the April/May 2011 issue.

Likened to “watching two superheroes do their thing” by SF Weekly, El Ten Eleven’s live show is truly a technical marvel to witness as the duo recreate their pounding landscapes without the help of a single computer or sequencer. Instead, Dunn wields a double-neck bass/guitar and a fretless bass and records and loops himself live while his feet dance on an extensive floorboard of pedals. His partner in crime, Fogarty, wreaks havoc on his drum kit and electronic drum pads while also occasionally looping himself. “As each layer upon layer is set, El Ten Eleven’s songs coalesce into head nodding, cog-spinning music machines,” LA Weekly exclaimed about the musicians’ method.

Like their instrumental contemporaries such as Explosions in the Sky, El Ten Eleven’s music is highly sought after and has been heavily used in the realms of television, film and advertising. Of significant note are two highly acclaimed PBS documentaries — Helvetica and Objectified — both of which were nominated for Independent Spirit Awards. These films, directed and produced by Gary Hustwit, were scored by Dunn and prominently feature El Ten Eleven’s music. The highly anticipated next installment, Urbanized, will be released this year and once again feature music by El Ten Eleven and Dunn, including several pieces composed exclusively for the film.

Praise for El Ten Eleven and It’s Still Like A Secret:

“They drive somewhere between a roughed-up version of Sigur Rós and Ratatat you wouldn’t dare bring home to your parents.” — Filter

“The act is a wonder to behold live, but on the group’s fourth album, the layered sound is just as hypnotic.” — Los Angeles Magazine

“Bassist-guitarist Kristian Dunn and drummer Tim Fogarty indulge in plenty of effects and loops to fill out their sound with glittering layers, but always keep the instrumentals focused on bright pulses and punchy hooks.” — The Onion

“What El Ten Eleven does — as just two people — is a thing of beauty and something that usually takes the hands of many more.” — Daytrotter.com

“No duo anywhere is melded tighter than these two.” — The Stranger

For more information on the fourth-annual Record Store Day (April 16) at The Record Exchange, including in-store events and the release of more than 200 exclusive CD and vinyl titles, visit therecordexchange.com/recordstoreday.