1. Let’s Go Out Tonight, Curtis Stigers
2. Blunderbuss, Jack White
3. Boys & Girls, The Alabama Shakes
4. Slipstream, Bonnie Raitt
5. Benchwarmers, Finn Riggins (Record Store Day exclusive)
6. Port of Morrow, The Shins
7. Making Mirrors, Gotye
8. Heady Fwends, The Flaming Lips (Record Store Day exclusive)
9. Stars & Satellites, Trampled By Turtles
10. My Head is An Animal, Of Monsters and Men
11. A Wasteland Companion, M. Ward
12. Hillfolk Noir Radio Hour, Hillfolk Noir
13. Live at Amoeba, The Civil Wars (Record Store Day exclusive)
14. The Lumineers, The Lumineers
15. Revelator EP, Tedeschi Trucks Band
16. El Camino, The Black Keys
17. This Machine, The Dandy Warhols
18. Locked Down, Dr. John
19. Long Gone Daddy, Hank Williams III
20. Underwater Sunshine (Or What We Did On Our Summer Vacation), Counting Crows
RECORD EXCHANGE TOP 20 SELLERS (WEEK ENDING APRIL 29)
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- BRIAN ENO REISSUE LISTENING SESSION 6PM FRIDAY, OCTOBER 16 October 5, 2026
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94.9 FM THE RIVER PRESENTS ED SHEERAN LIVE AT THE RECORD EXCHANGE SUNDAY, APRIL 29!
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No doubt you have heard the UK singer-songwriter’s latest single “The A Team” on 94.9 The River. Sheeran created a lot of buzz for himself coming out of SXSW recently and The River is bringing him to Boise for this special free concert! His new album “+” will be coming out June 12 and this is your chance to see a new artist who will fast become a rising star in the music scene!
ABOUT ED SHEERAN
Ed Sheeran is blessed – he seems to know exactly where he is going, and exactly how to get there. Where countless others fail to make an impression amid today’s information overload, Ed’s music and talent cut straight through.
He has a poise that is as welcome as it is unusual in someone so young. He’s both utterly self-assured but still charmingly open. He has a confidence that’s built not on being able to sing someone else’s song quite nicely on a teatime TV show, but on hundreds and hundreds and hundreds of gigs where it’s just him, his guitar, a loop pedal and a crowd.
Above all, Ed’s got this voice with buckets of soul and these incredibly affecting songs that despite being played on acoustic guitar are far removed from the standard singer-songwriter fare. In fact, Ed’s songs are as informed by Jay-Z as much as they are by Damien Rice. They talk about the city he loves and the people in it and of it. They talk about the people made by it, and those damaged by it. They are about love and loss, but are also joyful when you need them to be. He is a unique talent whose combination of skills is frankly quite startling.
Ed grew up in Suffolk, where he learnt to play an old guitar given to him by an uncle. Spurred on by a chance meeting with the aforementioned Rice when he was 11, Ed started writing songs. Aged 16, he moved to London – into a flat above the T-Bird pub in Finsbury Park – with only one thing on his mind: playing gigs, as many as he could and as often as he could.
“I was playing every night,” he says, “sometimes three times a night. I played every open mic night going. At first the crowds weren’t interested, but I learnt how to make them interested!” A thousand audiences from acoustic shows to hip-hop nights, or, indeed, any other genre, will agree with that.
One night Ed played a tiny bar in North London whose website listed every young promoter in town. That night Ed Myspaced them all and a few days later he had nearly a hundred new gigs lined up. A pattern began to emerge – all day in the studio, all night playing gigs. From the early days Ed would sell CDs of his songs out of his backpack, putting cash in his pocket to get to the next gig, but also planting a flag in people’s minds that here was music that was worth paying for. Not satisfied by CDs alone, fans have flocked to his website to pick up everything from hoodies to jewelry.
When Ed was told by his then management that he would need to conform to succeed – including dying his hair, and giving up his unique delivery – Ed responded by writing the cult song, ‘You Need Me, I Don’t Need You’. Over the next year he released five EPs, each one totally different, each one totally him. There was a singer-songwriter one, a live from The Bedford one, one written with singer Amy Wadge. Each sold better than the last.
In February last year, after two years of constant gigging and sofa surfing, Ed recorded a live version of ‘You Need Me, I Don’t Need You’ for leading urban YouTube channel, SBTV. The clip got 100K hits in two days and is now approaching 1.5M views. A few days later, he wrote what would become his first major label release, ‘The A Team’: a story about a girl he met whilst working at a homeless shelter. The video for that has just surpassed 1M views.
By the time Ed released the final EP – ‘No. 5 Collaborations’ in January, which featured the who’s who of UK hip hop and grime: Devlin, Wretch 32, Dot Rotten, P Money, JME and Wiley, the support was so strong it propelled Ed to Number 2 in the iTunes album chart after just 24 hours. The only artist selling more copies was Rihanna. When Elton John called his mobile to congratulate him, Ed realized quite how big things had got. Amid interest from numerous labels Ed shortly signed with Asylum – part of Atlantic Records.
“Collaborations was the peak of my independent career,” Ed says. “Now I am beginning my signed career. You have to pass the barriers, go to the next level. Some independent people do it well, but some never progress far enough. Signing to a label is the smart thing to do if you have the right deal. And I have the right deal.”
So now there is the album, entitled ‘+’. “I’d like to say it’s all about positivity,” Ed laughs, “but really it’s just a cool sign that I love. It is also one step on from all the independent releases I have done.”
Ed’s album features a host of very special songs. ‘Small Bump’ is a true story, with the most heart-wrenching twist, about a friend and her baby. ‘Lego House’ is a love song that imagines a world where you can “pick up the pieces and build a Lego house, and if things go wrong we can knock it down!” ‘Wake Me Up’ was written while sat, really drunk, under a tree by Jamie Foxx’s pool (that’s another story). ‘Grade 8’ (“your body is my ball-point pen/ and your mind is my new best friend…”) sees Ed as a worrier/warrior with bloodshot eyes, his heartstrings being twanged by a virtuoso guitarist. The truth is, there’s not a bad song on it, precisely because Ed wouldn’t dream of allowing there to be a bad song on it, he’s that type of guy. As you will soon see.
“I have slept on a different sofa every night for two and a half years so I can do this,” Ed says. “But the sofa thing can get lonely. I’m ready for my own place now; I’m ready for the next level.”
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FAB NEW RELEASES FROM MERGE: MAGNETIC FIELDS, M. WARD, LAMBCHOP!
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One of our favorite labels, Merge Records, has a trio of fantastic new albums from M. Ward, The Magnetic Fields and Lambchop.
To celebrate this occasion, Merge sent us a slew of cool freebies to give away (details forthcoming) and provided some fab videos from each band, which you can view at your leisure below.
THE VINYL WORD: EARLY (IF 2009 CAN BE EARLY) TORO Y MOI SINGLES BOX SET!
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BUY THE VINYL BOX HERE
Of all the artists saddled with the chillwave genre tag, none have been more prolific or adventurous than Toro Y Moi’s Chaz Bundick. On last year’s sophomore album, Underneath The Pine, he touched on yearning, Todd Rundgren-style soft-rock (“How I Know”) and vintage synth-disco (“New Beat”). Then he followed it up with the wild Freaking Out EP, a five-track set which found him chopping up original material with Hype Machine dance-remix aesthetics. The broad influences of his 2010 debut, Causers Of This, included J. Dilla and the Balearic pop championed by Sweden’s Service Records. Moments of Causers, however, did contain the signature slow-motion strobing of chillwave’s ur-text, Washed Out’s “Feel It All Around,” and following that thread leads back to the embryonic June 2009.
Before signing to Carpark, Bundick casually self-released a pair of unofficial full-lengths: the high-energy dance collection My Touch, and the tour CD-R June 2009, which sees its mainstream release as a vinyl singles box (and standard CD/digital editions). The collection is suited for the medium: Its warped, lo-fi pop sounds genuinely sun-melted, or at least subject to a giggly few minutes in Ariel Pink’s microwave. — A.V. Club
MORE NEW VINYL RELEASES:
Jack White Blunderbuss
Jimi Hendrix Can You Please Crawl Out Your Window?
Various Artists Mercury Living Presence Box Set
The Dandy Warhols This Machine
Electric Guest Mondo
Cate Le Bon Cyrk
Bob Marley and the Wailers Marley Soundtrack
Ministry Relapse
Neon Trees Picture Show
Townes Van Zandt For the Sake of the Song
JACK WHITE LISTENING PARTY TUESDAY, APRIL 24 (6PM); FREE PIZZA, PLUS ENTER TO WIN A VINYL LP TEST PRESSING!
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A Jack White Listening Party will be held at 6 p.m. Tuesday, April 24, at The Record Exchange (1105 W. Idaho St. in Downtown Boise). As always, this Record Exchange event is free and all ages.
Join us to nosh on free pizza and hear White‘s highly-anticipated new album Blunderbuss, which comes out on Tuesday, April 24! Enter to win a vinyl test pressing of Blunderbuss, too — must be here to win!
ABOUT BLUNDERBUSS
Produced by Jack White and recorded at his own Third Man Studio in Nashville, Blunderbuss has been described by White as “an album I couldn’t have released until now. I’ve put off making records under my own name for a long time but these songs feel like they could only be presented under my name. These songs were written from scratch, had nothing to do with anyone or anything else but my own expression, my own colors on my own canvas.”