1. The Firewatcher’s Daughter, Brandi Carlile
2. Wovenwar, Wovenwar
3. Another Eternity, Purity Ring
4. Bloodstone & Diamonds, Machine Head
5. Beloved, Ryan Bayne and the Hand-Me-Downs
6. Hand. Cannot. Erase, Steven Wilson
7. Aureate Gloom, Of Montreal
8. Physical Graffiti, Led Zeppelin
9. Wallflower EP, Hollow Wood
10. Restarter, Torche
RECORD EXCHANGE TOP 10 SELLERS (WEEK ENDING MARCH 8, 2015)
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SECOND RECORD EXCHANGE SECRET TREEFORT IN-STORE CONFIRMED FOR THURSDAY, MARCH 26 (5PM)!
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Once again, The Record Exchange and Treefort Music Fest are planning a series of Secret Treefort In-stores during the festival, and we’re pleased to announce our second confirmed show:
Thursday, March 26 (5 p.m.)
The Record Exchange
1105 W. Idaho St., Boise (two blocks from the Treefort main stage)
SECRET TREEFORT IN-STORE SCHEDULE
Wednesday, March 25 6pm RSVP
Thursday, March 26 5pm RSVP
Friday, March 27 TBD
Saturday, March 28 2pm RSVP
Sunday, March 29 TBD
FULL TREEFORT SCHEDULE
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All Record Exchange Secret Treefort In-stores are free and all ages, and a Treefort pass is not required to attend (but you really should get one because this festival rules).
The RX and Treefort will announce the artist on the morning of March 26 via social media and The Record Exchange email list, which you can sign up for HERE.
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WOVENWAR (EX-AS I LAY DYING) LIVE ACOUSTIC SET/SIGNING THURSDAY 3/5!
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Wovenwar (ex-As I Lay Dying) will visit the The Record Exchange (1105 W. Idaho St.) for a special acoustic set and signing at 6 p.m. First Thursday, March 5. As always, this Record Exchange in-store event is free and all ages. Wovenwar is performing with In Flames and All That Remains at the Knitting Factory later that evening and we have tickets for sale at the store!
The first 25 people to purchase Wovenwar’s self-titled debut get a free ticket to the Knit show!
ABOUT WOVENWAR
Our choices define us. At heart, we choose between good and evil or right and wrong. It’s not predisposed, but rather something we learn through experience, life’s twists and turns, and the stops along the way. The very moniker Wovenwar speaks to that truth.
“When we’re born, we’re innocent and blameless creatures with no hatred or judgment,” explains guitarist Nick Hipa. “Along the way, personality and perspective get cultivated. Hate, love, and other influences can be woven into you, but you ultimately choose your path. If you recognize the foundations, you can opt to live differently. It’s a struggle. That’s what the name signifies. It’s about recognizing that and choosing accordingly.”
In the spring of 2013, the members of As I Lay Dying—Nick, Phil Sgrosso [guitar], Josh Gilbert [bass, vocals], Jordan Mancino [drums]—made an important choice of their own. They had seen tremendous success, selling over one million albums, enjoying a Top 10 debut on the Billboard Top 200 with 2010’s The Powerless Rise and a Top 15 debut with 2012’s Awakened, and touring globally alongside the likes of Slipknot, Slayer, Suicide Silence, Killswitch Engage, and more. Facing tumultuous controversy related to their singer and a shattering foundation shakeup, these four musicians decided to press on and do what they do best.
“We had been playing music for our entire adult lives and working towards becoming a better band every year, and then our unit was extremely compromised,” sighs Nick. “The natural step was to let that be and work on something else. We felt like we had a lot to accomplish in terms of our writing and chemistry together. We still wanted to develop. A lot of bands quit because they lose their love for it. We loved it more than ever. That’s why we decided to form something under a new name with no pressure to be anything.”
As they traded song ideas back and forth, Nick reached out to a lifelong friend Shane Blay. The two grew up together in Dallas and even played in Evelynn before Hipa joined As I Lay Dying. In between working with Oh, Sleeper, Shane had begun writing songs with Nick purely as a creative outlet a year prior. Given their existing bond, the transition to writing for Wovenwar’s self-titled debut proved seamless.
“When everything went down, we started thinking of singers,” Phil goes on. “Nick was like, ‘What about Shane?’ We all wanted to be in a band with him. It was a no-brainer. There were no auditions or tryouts. We just started making music together, and it was very natural from the beginning.”
“I was excited to have the opportunity to play with these guys,” exclaims Shane. “From the first song we worked on, it felt like it was meant to be. I was right at home.”
With Shane officially in the fold, the quintet hit a San Diego studio to record the album with producer Bill Stevenson [Rise Against, NOFX], who helmed Awakened. Immediately, they collectively tapped into a sound that picked up where they left off, while forging new territory altogether.
“It’s more dynamic,” exclaims Phil. “There’s a hard rock element to it. We wanted to utilize Shane’s voice and go bigger. That was important. There’s a different energy, and we got to explore more sounds. It feels more alive than ever. This is the most exciting thing we’ve done. We wanted to keep it familiar but take risks here and there.”
“As I Lay Dying had its sound,” adds Nick. “We expanded it, but we never branched out too far. We could do anything we wanted to here. We just wanted to continue to write music that inspired us.”
It’ll undoubtedly inspire others as well though. The first single “All Rise” threads together precise riffing with Shane’s magnetic vocals, landing a huge chorus in between incendiary instrumentation. It serves as the perfect link between the musicians’ past output and the future.
Shane states, “I felt like the music industry was sucking the life out of me. Then, Wovenwar happened. It was a chance to do something else and not give up. That’s what the song is about.”
“It bridges the gap between the old and the new,” affirms Nick. “It related to what we were going through in life. We were pretty dejected. We spent over a decade building something, and it had fallen apart. When you find yourself in a situation in which you really have no control over, you have to be optimistic in the way you respond because all you can control is your response. It’s a great introduction to the band.”
Elsewhere on the album, “Tempest” showcases the band’s dynamics, breaking the boundaries of heavy music in the process with palpable melodies. “All of my friends initially made it in music, and I was the guy who didn’t,” admits Shane. “I needed to inspire myself to get up and keep working at it. This was my call-to-arms.”
Meanwhile, the closer “Prophets” begins with elegant acoustic guitars before building into the album’s most dramatic and defining moment. “It’s about wrestling with the notion of blind faith,” says Nick. “It details seeking a transformation, and it challenges the idea of people speaking about matters we don’t absolutely know of. There’s no authority there. That’s faith.”
Ultimately, Wovenwar deliver an introductory statement that’s bound to send shockwaves throughout heavy music.
Shane concludes, “Something good can come from misfortune. You have to always keep on going. These guys went through so much, and they’re still pushing ahead. I hope this inspires people to keep doing whatever they love to do.”
Nick leaves off, “We dealt with a lot personally while making this album. The way we always handled things was to write music and put ourselves into something that could speak louder. We put ourselves into this one hundred percent. Hopefully, that comes across.”
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RECORD EXCHANGE TOP 10 SELLERS (WEEK ENDING MARCH 1, 2015)
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1. Physical Graffiti, Led Zeppelin
2. Complicated Game, James McMurtry
3. I Love You, Honeybear, Father John Misty
4. Terraplane, Steve Earle and the Dukes
5. Wovenwar, Wovenwar
6. Happy Prisoner: The Bluegrass Sessions, Robert Earl Keen
7. Shadows in the Night, Bob Dylan
8. Mono, The Mavericks
9. Smoke + Mirrors, Imagine Dragons
10. Ol’ Glory, JJ Grey and Mofro
NEW RELEASE TUESDAY: PURITY RING, AZEALIA BANKS, RYAN BAYNE, BRANDI CARLILE, MARSHALL POOLE, BUXTON, OF MONTREAL, TUXEDO AND MORE, PLUS VINYL TUESDAY SAVINGS ALL DAY!
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It’s New Release Tuesday, and it’s also Vinyl Tuesday — customers receive up to $5 in used vinyl* with every $25 in new vinyl purchased all day long every Tuesday!
* Must be redeemed at time of purchase. Offer valid during regular business hours (10am-9pm) on Tuesdays only. The Record Exchange will not issue store credit for any unused portion of the Vinyl Tuesday used vinyl bonus.
Here’s a quick look at the bright and shiny new releases this week at The Record Exchange:
CD
Purity Ring – Another Eternity
Azealia Banks – Broke with Expensive Taste
Noel Gallagher’s High Flying Birds – Chasing Yesterday
Ryan Bayne and the Hand-Me-Downs – Beloved
Steven Wilson – Hand. Cannot. Erase. (deluxe edition also available)
Brandi Carlile – The Firewatcher’s Daughter
Marshall Poole – Grade AA Rock ‘n’ Roll
Of Montreal – Aureate Gloom
Gill Landry – Gill Landry
Tuxedo – Tuxedo
Buxton – Half a Native
Lilly Hiatt – Royal Blue
Andrew Combs – All These Dreams
Kelly Clarkson – Piece by Piece (deluxe edition also available)
Cannibal Ox – Blade of the Ronin
The Sons of Texas – Baptized in the Rio Grande
Various Artists – Signature Sounds 20th Anniversary Collection: Rarities from the Second Decade
Moon Duo – Shadow of the Sun
Ryan Culwell – Flatlands
Daisyhead – The Smallest Light
G-Unit – The Beast is G-Unit
Lanterna – Backyards
Various Artists – Immortal Randy Rhoads: The Ultimate Tribute Album
Motorhead – England 1978
UFO – A Conspiracy of Stars
Vanilla Fudge – Spirit of ’67
AJR – Living Room
Rixton – Let the Road
The Benedictines of Mary, Queen of Apostles – Easter at Ephesus
VINYL
Purity Ring – Another Eternity
Brandi Carlile – The Firewatcher’s Daughter
Of Montreal – Aureate Gloom
Lilly Hiatt – Royal Blue
Rhiannon Giddens – Tomorrow is My Turn
John Coltrane – The Paris Concert
No Age – Weirdo Rippers
Moon Duo – Shadow of the Sun
Steven Wilson – Hand. Cannot. Erase.
Porcupine Tree – Up the Downstair
Dwight Yoakam – Hillbilly Deluxe
Darkthrone – Plaguewielder
Harvey Mandel – Cristo Redentor
Foghat – Foghat Live
WASP – The Best of the Best
J. Geils – Bloodshot
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