RECORD EXCHANGE RECORD STORE DAY WEEKEND EVENTS
– Boise Hive information booth on the sidewalk (10am-4pm)
94.9 FM The River presents Larkin Poe live at The Record Exchange (1105 W. Idaho St. in Downtown Boise) at 12:30pm Friday, April 15 as part of our Record Store Day Weekend festivities. Larkin Poe is opening for Elvis Costello and serving as his backing band for his sold-out Egyptian Theatre show later that evening. As always, this Record Exchange in-store event is free and all ages.
As a special treat for Record Exchange customers, Larkin Poe’s new album Reskinned will be available for purchase at the event prior to its April 29 official release date!
“Trouble in Mind,” the first single off Reskinned, premiered via Paste magazine in February. In an effort to show off their true grit and evolution as a band, Larkin Poe immediately returned to the studio to record after concluding their world tour. This fresh version of the original album Kin includes new remastered tracks as well as productions by Chris Seefried (Fitz and the Tantrums, Lana Del Rey), Justin Warfield (She Wants Revenge, Nico Vega) and Wax LTD (Muse, Bon Iver, Miley Cyrus, Maroon 5).
ABOUT LARKIN POE
“A sister act with staying power.” – NPR
According to the sisters themselves, 2015 was a defining year of growth for Larkin Poe, an Atlanta-based roots rock ’n’ roll duo comprised of Rebecca and Megan Lovell: “We feel lucky to have experienced a year of life-changing moments that shaped and crystallized our artistic direction. We’re entering our mid-twenties, we’re coming into our own. We’ve lost love, we’ve found love. We’ve lived loud, leaving little pieces of our hearts in every club we’ve played around the world – and we are really proud to have come out of 2015 with new songs that speak to that change.”
This “change” they speak of is their second album Reskinned, a re-release follow-up of the critically acclaimed debut album Kin. Voted as one of the top 10 albums released in 2014 by Huffington Post, Larkin Poe toured the world supporting the November 2014 release of Kin. Rebecca states: “As musicians, singers, songwriters and performers, we learn something new with every show we play; last year we played hundreds of shows: from big festivals to tiny radio stations; from backing Elvis Costello to backing Conor Oberst. We’ve learned to stay on our toes and keep our artistic approach fresh.” This perpetual innovation fueled a writing spurt that the sisters felt compelled to immediately record and share with their fans.
A Brief History of Larkin Poe:
“We have a very colorful family history,” explains lead singer/guitarist Rebecca, referencing the sisters’ familial connection to tortured artist and creative genius Edgar Allan Poe. “There have been a lot of creative, hotheaded, mentally unstable branches in our family tree. Growing up in the midst of their crazy stories has definitely shaded our perception of normal. As artists, I think some of those eccentricities, passed down from generation to generation, have been even further exaggerated in us!” Megan, who contributes lap steel to the lineup, chimes in: “As sisters, we wanted to pick a band name that had familial significance, so we decided to pay tribute to our ancestors by taking on the name of our great-great-great-grandfather, Larkin Poe.”
The sisters celebrate that unique genealogy, and their own eccentricities, with Reskinned. A sassy nod to the sisters’ southern heritage, first single “Trouble In Mind” features sassy, homegrown lyrics: “I’m a bad little angel, I fell from grace, a Georgia Peach gone bad, yeah, you know the taste.”
“As Georgia girls, we came up listening to and soaking in the source music of the south: the blues, country, Americana and mountain music; classic rock and southern rock. That deep and gritty heritage has seeped into the bloodstream of our music,” explains Megan. “We’ve reached a point in our lives where we no longer care to be quite so polite, so ‘nice,’ so perfectionistic. Now is the time to be raw, unapologetically overdriven Larkin Poe. Deep in our bones, we are rockers. We’re ready to let the tiger out of the cage.”
Reskinned marks Larkin Poe’s second release with RH Music. After years of fierce independence (i.e., five self-released EPs and three years of international and domestic touring, without label support), the sisters decided to sign with RH Music. “We signed with RH Music because they wholeheartedly believe in our authenticity. They understand that we make music because we inherently need to make music, and they want to support that need,” explains Megan, “They’re a 21st century patron of the arts.” This new release will also be the first for their new relationship with Vertigo/Capitol/Universal Germany in Europe. Rebecca comments: “We are honored to be working with Vertigo/Capitol/Universal in Europe. In the music industry, where ‘industry’ sometimes takes precedence over ‘music,’ the folks at Vertigo are tastemakers who still love music as much as we do.”
“Larkin Poe is our heart and soul, mashed up into a musical form. We live and breathe Larkin Poe,” says Megan. “Supercharged on that life commitment, we’ve been able to record music in studios across the country, to play our songs around the world, to perform onstage with our heroes – all of these experiences are deeply valuable to us and have built a strong foundation. Standing strong on that foundation, we are so proud to release Reskinned and see what 2016 has to bring.”
RECORD EXCHANGE RECORD STORE DAY WEEKEND EVENTS
Tags: cdConcertsexclusivesin storesnew releasesrecord store daystuff to dowhats playing
Here it is — the list of Record Store Day 2016 exclusives. More than 350 limited-edition pieces on vinyl, CD, cassette and other fun formats, all available at The Record Exchange on Saturday, April 16. Once they’re gone, they’re gone! [Full product descriptions and more album art available at recordstoreday.com]
RECORD EXCHANGE RECORD STORE DAY WEEKEND EVENTS
FULL LIST OF RECORD STORE DAY EXCLUSIVES
808 State – Pacific Vinyl 12” EP
A-Ha – Hits South America 12″ EP
AIR – Casanova 70 12″ EP
The All-American Rejects – Move Along LP
ALO – Follow The Yarn 10″
alt J – Live At Red Rocks 2LP BOX
The Animals – Animal Tracks 10″
Anthrax – “In The End”/”Antisocial” 7″
The Appleseed Cast – Peregrine (10th Anniversary Edition) 2LP
Atreyu – The Best Of Atreyu 2LP
James Bay – Chaos And The Calm 12” Picture Disc
Bee Gees/Faith No More – “I Started A Joke” 7″
Best Coast – “Late 20s” b/w “Bigger Man” 7″
Justin Bieber – Purpose 12″ Picture Disc
Big Data x RAC – Fair Trade 7″
Big Star – Complete Columbia: Live at University of Missouri 4/25/93 2LP
Bitty McLean / Bunny Rugs – Taxi Records Split EP Vinyl 10″
Bleachers – Terrible Thrills, Vol. 2 LP
Blitzen Trapper – Field Rexx LP
BORNS – Live on KCRW’S Morning Becomes Eclectic 12” EP
David Bowie – The Man Who Sold The World 12″ Picture Disc
David Bowie – TVC15 7″ Picture Disc
David Bowie – I Dig Everything – The Pye Singles 1966 12” EP
Bring Me The Horizon – “Live From Maida Vale” 7” Picture Disc
Buddy Guy & Junior Wells – The Criteria Sessions LP
Buzzcocks – More Product in a Different Compilation: Best of the United Artists Recordings 2LP
Cancerous Growth – Hmmlmmlum… LP
Brandi Carlile – Live At KCRW ‘Morning Becomes Eclectic 12” EP
Johnny Cash – All Aboard the Blue Train with Johnny Cash LP
Cheap Trick – Found New Parts 10″
CHVRCHES – Every Open Eye Remix EP 12”
Circa Survive / mewithoutYou – Split 7″
Brandy Clark/Sheryl Crow – “Girl Next Door”/”Homecoming Queen” 7″
Clint Mansell/Kronos Quartet – Requiem For A Dream 2LP
Clutch – “Mad Sidewinder”/”Outland Special Clearance” 12″
John Coltrane – The Roulette Sides 10″
D.O.C. – No One Can Do It Better LP
Miles Davis – Ghetto Walkin’ 12″
Andra Day – Andra Day Live! 12″ EP
Dead Can Dance – Anastasis 2LP
Death Cab for Cutie – “Tractor Rape Chain”/”Black Sun” 7″
Deerhoof – Offend Maggie LP
Deftones – B-Sides & Rarities 2LP
The Deviants – “You’ve Got to Hold On”/”Let’s Loot the Supermarket” 7″
J Dilla – The Diary LP
Disturbed – Sounds of Silence 12” Picture Disc
Peter Doherty/James Johnston – The Whole World Is Our Playground12″
The Doors – “Roadhouse Blues (Live)”/”A Feast of Friends” 7″
The Doors – Live at the Aquarius: The First Performance 3LP
Carl Douglas – “Kung Fu Fighting” 7″
Dr. Who – Genesis of the Daleks LP
Bob Dylan – “Melancholy Mood” 7″

The Easybeats – Good Friday LP
The Electric Prunes – “I’ve Got a Way” / “World of Darkness” 7″
Alejandro Escovedo – 13 Years 2LP
Alejandro Escovedo – Gravity 2LP
Ethan Hawke & David Braid Quartet – “My Funny Valentine” b/w “I’ve Never Been In Love Before” 7″
Bill Evans – Some Other Time: The Lost Session From The Black Forest 2LP
Brian Fallon – Georgia 10″
Jay Farrar – Sebastopol/thirdshiftgrottoslack 2LP
The Feelies – Uncovered 12” EP
Fela Anikulapo Kuti and Afrika ’70 – I Go Shout Plenty 10″
The Flaming Lips – Heady Nuggs Vol.II Studio Albums 2006 – 2012 8LP
The Flaming Lips – Lightning Strikes The Postman CD
Fleetwood Mac – (Alternative) Tusk 2LP
Florence + The Machine – Delilah / Only Love Can Break Your Heart 12″
Foals – “Rain”/”Daffodils” 7″
Focus – “Hocus Pocus” 7″
Frankie Goes To Hollywood – Rage Hard 12” EP
Dizzy Gillespie – The Champ LP
The Go! – Team Thunder, Lightning, Strike LP
Lukas Graham – “Seven Year”/”Seven Year (Live)” 12″
John Grant – Queen of Denmark LP
Grateful Dead – Capitol Theatre, Passaic NJ 4/25/77 4LP
Green River – 1984 Demos LP
GWAR – Scumdogs of The Universe LP
Halestorm – Into The Wild Live: Chicago 10″
Albert Hammond Jr. – Yours To Keep LP
Emmylou Harris – Wrecking Ball Deluxe Edition 3LP
Hope Sandoval & The Warm Inventions – “Isn’t It True” 7″
Hot Hot Heat – “A Bobby Joan Sex Tape” b/w
“Nature Of Things (Unreleased Demo)” 7″
Marc Hurtado & Alan Vega – Sniper 2LP
Ida – Will You Find Me 2LP
The Idle Race – The Idle Race LP
Ignite – “Vipers and Thieves” 7″
The In Crowd – “That’s Strong My Love Is”/”Things She Says” 7″
Iron Maiden – Empire of the Clouds 12” Picture Disc
The James Brown Revue – Get Down At The Apollo With The J.B.’s 2LP
Etta James – At Last LP
Stephan Jenkins (Third Eye Blind) – Live At Amoeba 12″
Jethro Tull – Too Old To Rock ‘n’ Roll: Too Young to Die! LP
Joan Jett and the Blackhearts – Sinner LP 12″
Johnny Cash – The Best of The Johnny Cash Show LP
Jon Spencer Blues Explosion – That’s It Baby Right Now We Got To Do It Let’s Dance LP
Killswitch Engage – Define Love 7” Picture Disc
Junior Kimbrough – “I Gotta Try You Girl (Daft Punk Remix)” 12”
The Kinks – Mister Pleasant 7” EP
The Kinks – Dave Davies Hits 7” EP
La Dispute – Tiny Dots 12” EP
Langhorne Slim & The Law – Live at Grimey’s CD
Lil Wayne – Tha Carter 2LP
Lil Wayne – Tha Carter II 2LP
Logic – The Incredible True Story 12” Picture Disc
Low/S.Carey – “Not a Word” b/w “I Won’t Let You” 10″
Lydia Lunch & Marc Hurtado – My Lover the Killer 2LP
Lush – Origami 5LP BOX
Madisen Ward and the Mama Bear – Live At Grimeys 12” EP
Madonna – Like A Virgin & Other Hits 12″
Manic Street Preachers – A Design For Life 12″
Metz/Mission Of Burma – “Good Not Great” b/w “Get Off” 7″
Mew – And The Glass Handed Kites LP
The Mickey Finn – “Garden of My Mind”/”Time to Start Loving You” 7″
Mike Stuart Span – “Children of Tomorrow”/”Concerto of Thoughts” 7″
Miracle Legion – Portrait Of A Damaged Family LP
Grace Mitchell – Raceday CD
Modern Jazz Quartet – The Quartet LP
Jason Molina – The Townes Van Zandt Covers 7″
Thelonious Monk – London Collection, Volume 3 LP
The Monkees – Classic Album Collection 10LP BOX
The Monkees – “Saturday’s Child”/”You Just May Be The One” 7” Picture Disc
Moody Blues – Moody Blues #1 LP
Alanis Morissette – Demos 1994-1998 LP
Mark Mothersbaugh – “Hello, My Good Friend” 12″
Mudcrutch – “Trailer”/”Beautiful World” 7″
Mumford & Sons + Baaba Maal – “There Will Be Time” 7″
Muse – “Reapers” 7″
Graham Nash – This Path Tonight LP
Nevermore – The Politics Of Ecstasy 20 Year Anniversary Reissue 2LP
New Barbarians – New Barbarians 10″
Nothing – A.C.D. 12″
Notorious B.I.G. – “Mo Money, Mo Problems” 12″
Ol Dirty Bastard – “Brooklyn Zoo”/”Shimmy Shimmy Ya” 12″
Otep – Generation Doom 12” Picture Disc
Outkast – “Elevators (Me & You)” 10″
Paul Butterfield Blues Band / Albert King – “Born Under a Bad Sign” 7″
Oscar Peterson – Tenderly 2LP
Pinback – Blue Screen Life 2LP
John Powell – How To Train Your Dragon LP
Elvis Presley – I’m Leaving’: Elvis Folk-Country LP
Puscifer – V is For Viagra 2LP Picture Disc
Radio Birdman – “Buried and Dead” / “Ballad of Dwight Fry” 7″
Jay Reatard – Blood Visions 10th Anniversary LP
The Remains – The Remains 12″
John Renbourn – The Attic Tapes 2xLP
The Residents – Please Do Not Steal It! LP
Reverend Horton Heat – “Hardscrabble Woman” 7″
Rich Robinson – Got To Get Better In A Little While 10″
The Rockin’ Vickers – “Dandy”/”I Don’t Need Your Kind” 7”
Roecker I Melody – One Foot On The Mattress, The Other On The Floor LP
Various Artists – The Rough Guide to East Coast Blues LP
Various Artists – The Rough Guide to Psychedelic Samba LP
Various Artists – The Rough Guide to Unsung Heroes of Country Blues LP
Run The Jewels – VRTJ Viewer
Sage Francis – Shit Brick House 7″
Saxon – Lionheart 12” Picture Disc
Scarface – Deeply Rooted 12″ Picture Disc
Sex Pistols – Never Mind The Bollocks, Here’s The Sex Pistols Rhino 12” Picture Disc
The Shaggs – Sweet Maria b/w The Missouri Waltz (Missouri State Song) 7″
Ravi Shankar – In Hollywood, 1971 2LP
Billy Joe Shaver – “Wacko From Waco”/”When Fallen Angels Fly” 7″
Shawn Colvin & Steve Earle – “Wake Up Little Susie” / “Baby’s In Black” 7″
Simple Minds – Big Music Tour 2015 2LP
Skrillex & Diplo (with Justin Bieber) – Where Are Ü Now 12″
Son Volt – Live At The Bottom Line 2LP
The Sonics – Live at Easy Street LP
Soul Asylum – Grave Dancers Union 2LP
John Williams – Star Wars: The Force Awakens “March of the Resistance b/w Rey’s Theme” (Millennium Falcon) 10” Picture Disc
Soundtrack – Nosferatu (1922 film) 7” EP
Regina Spektor – Soviet Kitsch LP
Joe Strummer – Gangsterville 12″
Sun Ra – Spaceways LP
Superpitcher – So Far So Super 2LP
Matthew Sweet – Goodfriend (Another Take On Girlfriend) 2LP
The Sword – “John The Revelator” 7″
The Syndicats – “On the Horizon”/”Crawdaddy Simone” 7″
Talking Heads/Echosmith – “This Must Be The Place” 7″
The Faction – Yesterday Is Gone 12″
The Spektors / The Valentines – The Spektors & The Valentines: The Early Years Of AC/DC’s Bon Scott LP
The Weeknd – The Hills Remixes 12″
Third Power – Believe LP
Tom Petty & The Heartbreakers – Kiss My Amps II LP
Allen Toussaint – Live in Philadelphia 1975 LP
Frank Turner – Positive Songs For Negative People (Acoustic) LP
Twenty One Pilots – Double-Sided 7″
The Vandals – Sweatin’ To The Oldies LP
Jean-Claude Vannier – L’Enfant Assassin des Mouches Alternate Takes 7″
Various Artists – Dogfish Head Brewery Presents: Music To Drink Beer To, Vol. 2 LP
Various Artists – Silly Symphony Collection: The Skeleton Dance/Three Little Pigs 10″
Various Artists – Disney Favorite Songs LP
Various Artists – Hallucinations – Psychadelic Pop Nuggets 2LP
Various Artists – Sunday Nights: The Songs of Junior Kimbrough 2LP
Various Artists – The Blacklist: Music From The Television Series 12″
Various Artists – Get Me Home for Tea: Rare Psychedelic Rock from the U.K. LP
Various Artists – The Other Side of Sun: Sun Records Curated by RSD, Volume 3 LP
Various Artists – The Guest Soundtrack 2LP
Various Artists – John Wick LP
Various Artists – Joy Soundtrack 2LP
Various Artists – One Voice featuring Norah Jones, Aimee Mann, Susanna Hoffs, Lydia Loveless, Neko Case & Brian May 12″
Various Artists – Judgment Night (Soundtrack) LP
Various Artists – Don’t Think I’ve Forgotten: Cambodia’s Lost Rock and Roll 2LP
Various Artists – Wake Up You V.1: The Rise And Fall Of Nigerian Rock Music 1972-1977 2LP
Various Artists – Cambodian Cassette Archives: Khmer Folk and Pop Music Vol. 1 2LP
Violent Femmes – “Memory”/”You Move Me” 7″
Vitamin String Quartet – VSQ Performs Daft Punk’s Random Access Memories LP
Walk The Moon – You Are Not Alone (Live At The Greek) 2LP
Warren Zevon/Flamin’ Groovies – “Werewolves of London” 7″ Picture Disc
Muddy Waters – Hoochie Coochie Man- Live at the Rising Sun Celebrity Jazz Club 2LP
Gerard Way – “Pinkish” b/w “Don’t Try” 7″
Lucinda Williams – Just A Little More Faith And Grace 12″
Wendy O. Williams – Fuck ‘n Roll (Live) 12″
Willie Nelson / Uncle Tupelo – “Truck Drivin’ Man” 7″
Wolf Alice – “White Leather” b/w “Leaving You” 7″
Xiu Xiu – Xiu Xiu Plays the Music of Twin Peaks LP
Lester Young – Blue Lester LP
RECORD STORE DAY LIMITED RUN/REGIONAL RELEASES:
13th Floor Elevators – “You’re Gonna Miss Me” b/w “Tried To Hide” (French EP Version) 10″
African Head Charge – Super Mystic Brakes 10″
Afrika Bambaataa & The Soulsonic Force – “Planet Rock” 12″
The Autumn Defense – The Green Hour LP
Joe Bataan – “Chick-a-Boom”/”Cycles of You” 7″
The Belairs – Volcanic Action 12″
The Bevis Frond – Miasma LP
Brokedowns/Direct Hit – Making A Midwesterner 7″
Hollis Brown – Cluster of Pearls 12” EP
Brujeria – Viva Presidente Trump! 7″
Candlemass – Epicus Doomicus Metallicus 12” Picture Disc
Gerald Casale – It’s All Devo LP
Al Casey – Surfin’ Hootenanny LP
Cavern Of Anti-Matter – Void Versions 12″
The Challengers – Hot Rod Album 12″
Pearl Charles – Pearl Charles 12″
Charles Rumback & Ryley Walker – Cannots 12″ EP
Cho-Cho and Dasheen – Cool Pool Reggae 7″
Aldo Ciccolini – Erik Satie Gymnopedies LP
Stelvio Cipriani – Deviation 10″ EP
Shirley Collins – English Songs Volume 2 7” EP
Pascal Comelade and Les Liminanas – The Nothing Twist LP
Mike Cooper & Derek Hall – Out of The Shades LP
Dave Douglas – High Risk Dark Territory LP
De Lux – “Berlin Joe” b/w “Stranger Love” 7″
Death – Vivus!: Dividium Live In Eindhoven 2LP
Mac DeMarco – Another (Demo) One LP
Eli “Paperboy” Reed – “Cut Ya Down” 7″
Al Escobar – Rhythmagic LP
Field Music – Field Music LP
Five Finger Death Punch – Got Your Six 12” Picture Disc
Flat Duo Jets – “Pink Gardenia” / “Man With The Golden Arm” double 7”
The Fleshtones – “The End Of My Neighborhood” 7″
Blaze Foley – Duct Tape Messiah Original Soundtrack LP
John Frusciante – Foregrow EP 12”
Ezra Furman – Songs By Others 12” EP
Dylan Gardner – “Across The Universe”/”Diane Young” 7″
Patrick Gauthier – Bébé Godzilla 12” EP
Goblin – La Via Della Droga Original Soundtrack LP
Lotti Golden – “Sock It To Me Baby” 7″
Grapefruit – “Lullaby” / “Another Game” 7″
Hello Kitty – Hello World 12” Picture Disc
Hello Kitty On Ice – “Man With A Hole In His Throat” b/w “The Answer” 7″
Il Sogno Del Marinaio – The Whistling E.P. 7″
Bert Jansch – “Black Birds Of Brittany” / “Cuckoo” 7″
Chris Janson – Buy Me A Boat LP
Johnny Thunders & the Heartbreakers – Vive La Revolution (Live In Paris 1977) LP
Kid Millions – Beyond The Confession: Kid Millions Reworks Harry Taussig LP
Left Lane Cruiser – Beck In Black LP
Locust – Morning Light 2LP
M.D.C. – This Bloods For You/ Millions of Damn Christians LP
Man Man – Six Demon Bag s LP
Metal Urbain – “Panik”/”Lady Coca Cola” 7″
Mn’Ms – Mn’Ms LP
The Move – Something Else By the Move 7” EP
Mueller/Roedelius – The Vienna Remixes 12″
Dave Myers – “Gear”/”Let The Good Times” 7″
NOFX – “Sid & Nancy” 7″
Charlie Parr – I Ain’t Dead Yet 10″
Richard Pinhas & John Livengood – Cyborg Sally 2LP
Post Malone – “White Iverson””/Too Young” 12″
Radical Face – The Family Tree 4LP
Pete Rock – “Give It To Y’All” 7″
Roots Radics – World Cup 12″
The Runaways – The Runaways: Right Now/Black Leather 7″
Shadowy Men on a Shadowy Planet – I Guess We Were A Fucking Surf Band 4LPBOX
Skywave – Killerrockandroll K LP
The Summer Hits – Beaches and Canyons LP
Superchunk – Tossing Seeds (Singles 1989-91) LP
Tiger Joanie Scott – “Baby I Need Your Lovin'” b/w “Kansas City” 7″
Todd Rundgren & Utopia – Disco Jets LP
The Tornadoes – Best of The Tornadoes 12″
Trespassers – William Anchor LP
The Turtles – “Happy Together” 7″
Twiztid – Twiztid Presents: The Dojo 7″
Piero Umiliani – La Legge dei Gangsters (Gangster’s Law) 2LP
Various Artists – C86 2LP
Various Artists – Crooked Beat Records Presents: A Bang On The Ear LP
Various Artists – Der Zeltweg: Italian Tapes Industrial Music 1982-1984 Volume 2 LP
Various Artists – Heartworn Highways: 40th Anniversary Edition Box Set 2LP BOX
Various Artists – Los Alamos Grind! CD
Various Artists – Monster a Go-Go Volume 1 LP
Various Artists – Sixties Japanese Garage-Psych Sampler LP
Various Artists – Songs the Bonzo Dog Band Taught Us: A Pre History of the Bonzos 2LP
Various Artists – Todo Muere Vol. 5 LP
Nick Waterhouse – “I Got Lost (Old Place Pt I & II)” 7″
The Weepies – Say I Am You LP
Matthew E. White – “Cool Out”/”Maybe In The Night” 7″
RECORD STORE DAY FIRST RELEASES:
Andrew McMahon – In The Wilderness The Canyons EP 10″
Anti-Flag – Live Acoustic At 11th Street Records LP
James Bay – Chaos and The Calm Deluxe CD
Blonde Redhead – Peel Sessions 7″
Bonobo – Henri Texier: Les LeBas (Bonobo Remix) 12″
Billy Don Burns – A Night in Room 8 LP
Cheap Trick – At Budokan: The Complete Concert 2LP
Creedence Clearwater Revival – 1969 Box Set 3LP BOX
The Fall – The Real New Fall LP (Formerly Country on the Click) 12” EP
Fort Minor – The Rising Tied 2LP
Frank Zappa & the Mothers of Invention – “My Guitar” / “Dog Breath” 7”
Hamilton Leithauser & Paul Maroon – I Could Have Sworn 12” EP
Jimi Hendrix – Smash Hits LP
Husker Du – In A Free Land 7″
Iggy & The Stooges – METALLIC K.O. LP
J.D. Crowe & The New South – J.D. Crowe & The New South (40th Anniversary Edition) LP
Langhorne Slim – When The Sun’s Gone Down LP
Linkin Park – Road To Revolution: Live at Milton Keynes 2LP
Metallica – Liberté, Egalité, Fraternité, Metallica! Live at Le Bataclan. Paris, France June 11th, 2003 CD
mewithoutYou – Ten Stories LP
Mike McCready, Duff McKagan, Mark Arm & Barrett Martin – KEXP Presents: Raw Power: A Tribute To Iggy & The Stooges Live From the Rooftop of Pike Place Market August 23rd, 2015 LP
Ramones – “Judy Is A Punk” 7″
Rockabye Baby! – Rockabye Baby! Lullaby Renditions of Creedence Clearwater Revival LP
Roots Manuva – Switching Sides 12” EP
Patti Smith – Horses Live Electric Lady Studios 2LP
Regina Spektor – Begin To Hope (Deluxe 10th Anniversary Edition) 2LP
Sublime – Jah Won’t Pay The Bills LP
Sublime – Jah Won’t Pay The Bills CASSETTE
Various Artists – Across The Universe 2LP
Various Artists – Jazz Dispensary: Cosmic Stash 4LP BOX
Various Artists – Los Alamos Grind! LP
Will Johnson/Water Liars – Inclined/Moccasin Bones
Rob Zombie – Well, Everybody’s Fucking In A U.F.O. 10″
Tags: cdConcertsexclusivesgift ideasgiveawaysgo listen boisehappy holidaysin storeslocal musicmetalnew releasespie holeradio boiserecord store daystuff to dothinkindietop sellersvinylwhats playing
94.9 FM The River presents Lissie live at The Record Exchange (1105 W. Idaho St. in Downtown Boise) at 3:30pm Sunday, April 3. This is Lissie’s only show in town! As always, this Record Exchange in-store event is free and all ages.
Lissie’s new album My Wild West will be available for purchase on CD and vinyl at the event!
ABOUT LISSIE
“All that you lost/You get back/And all that you want/You can have” – “Wild West”
My Wild West begins with an overture, by definition an “introduction to something more substantial”. In this case it is Lissie’s third studio album and her most personal one to date, a fitting tribute to Lissie’s life in California, from her arrival as a fresh-faced singer-songwriter ’til now, leaving for the Midwest wiser and more self-assured. Bookended by the songs “Hollywood” and “Ojai”, it brings out the two extremes of the past decade – the ups and downs of the former and the “stability, joy and peace” of the latter. My Wild West represents both a new beginning and a return to Lissie’s Midwestern roots.
My Wild West was recorded with producer Curt Schneider in his Studio City home – he oversaw the project as a whole, produced eight tracks on the record and pulled together the additional material from Lissie’s time recording with her band in Ojai and with Bill Reynolds in Nashville. As the album unfolds, we see a more confident Lissie, self-assured and coming into her own power. “I want my 40 acres in the sun,” sings Lissie on “Hero”, written before she had made the decision to leave California. It details Lissie’s life on the West Coast and the empowerment she felt that she could leave and demand a new adventure from life: “I could have been a hero, I could have been a zero, I could have been all of these things”.
After being signed by Sony U.K., Lissie’s two previous albums, 2010’s Catching a Tiger and 2013’s Back to Forever, came out on Columbia in England and prestigious indie Fat Possum in the U.S., both scoring in the Top 20 of the U.K. charts and Top 5 in Norway, the former going gold in both countries. Stateside, the two releases hit the Top 5 in Billboard’s Heatseekers chart, peaked at #5 and #11, respectively, on the U.S. Folk tally and went Top 40 on the Indie chart.
“There was always a bit of commercial compromise, like pressure to make the charts and sell units,” she recalls of her experience on a major label. “I just wanted to be able to move people with this gift I’ve been given … my voice.”
What emerged was a cohesive, conceptual, musical whole, which belied the rather unorthodox manner in which it was created. “The songs turned out to be more personal because I wasn’t adhering to a strict set schedule,” she realized. “In writing ‘Hero’ and ‘Wild West,’ I had no idea at the time I was going to leave California and move back to the Midwest. I feel like their very creation was predictive of the changes that were coming. The moment I decided not to make an album was when I really started to make the album. That took all the pressure off!”
Lissie’s tales of triumph and self-propelled adventure were inspired by strong females close and far from home: “Sun Keeps Risin’” was inspired by an aunt of Lissie’s who passed away from ALS, while “Daughters” is a pro-feminist call-to-arms that took its cue from Liberian peace activist and Nobel Prize winner Leymah Gbowee, subject of the documentary, Pray the Devil Back to Hell. The funereal, dirge-like “Shroud” and the upbeat “Go for a Walk” shed light on the yin-and-yang nature of Lissie’s personality, the first a meditation on depression and isolation, the latter a heartfelt affirmation of nature’s power of renewal. “Stay” and “Together or Apart” detail the pain and pleasure of relationships, while “Don’t You Give Up On Me” is a spiritualized self-pep talk, urging those around her to hang in there while she figures life out: “Don’t you give up on me/As I dive into the dark/And slip into the endless sea.” There’s also the line “I left you on the coast for something only I can see” and that’s just it, Lissie has a personal vision and it may be hard for others to understand at times but she has to follow it.
Having recently purchased a farm on 10.7 acres in a small Iowa town, Lissie now boasts her own personal “Field of Dreams”, just across the Mississippi River from Rock Island, Illinois, where Elisabeth Maurus grew up in possession of a strong rebellious streak surrounded by the memory of steamboats and railroads of past. Concentrating on converting the barn into a recording studio, getting used to her new pick-up truck and setting up beehives, Lissie is visibly content in her new life, eager to take on each new adventure and challenge that presents itself.
With a career that has seen her open for renowned artist Lenny Kravitz (an early supporter), Tom Petty and even been asked to perform at Ashton Kutcher and Demi Moore’s wedding, Lissie has had a wealth of incredible experiences that have made her the confident and determined artist she is today. “I have a loyal, passionate fan base that every day is growing through its own power, not just an aggressive marketing campaign,” she says. “I want to be an artist with longevity, which is an exciting prospect for me. I feel I’m in a really good place. In fact, I’m already planning a follow-up album, My Mild Midwest,” she says with a laugh.
Danny Newcomb and the Sugarmakers will perform live at The Record Exchange (1105 W. Idaho St., Boise) at 6pm Friday, April 1 – their only show in town! As always, this Record Exchange in-store event is free and all ages.
ABOUT DANNY NEWCOMB AND THE SUGARMAKERS
For years, Danny Newcomb has played a quiet but essential role in some of Seattle’s more noteworthy bands (Goodness, The Rockfords, Shadow), letting his guitar playing and songwriting do the talking. With the release of Masterwish, the guy who inadvertently pushed Pearl Jam’s Mike McCready to become a better guitar player in their teenaged band has stepped into the limelight for the first time.
Released nationally through Think Indie after an initial 7” by McCready’s HockeyTalkter Records, Masterwish has already received impressive support in Seattle. Word of mouth raves from McCready, noted author and journalist Charles Cross and Easy Street Records’ owner Matt Vaughan — not to mention substantial airplay from tastemaker radio station KEXP — have meant that Newcomb is finally getting his day in the spotlight.
It’s also the first time that listeners are getting to hear Newcomb sing his own songs — a surprising but natural evolution that took place as the songs were being written.
“I had always written for other voices — never sang my own songs,” says Newcomb. “I had never performed as a singer before writing this record. I had been writing since the last record I made with the Rockfords, but found that I had written a record that I liked my voice on. For me, it’s the missing link as far as writing. Being able to write for my own voice lets me complete the circle myself — lets me write from the heart. Singing gave me that perspective to write from that narrative, and now that I have it, I want to run with it and see where it goes!”
Produced by John Goodmanson (Sleater-Kinney, Brandi Carlile) and featuring guest appearances from McCready and fellow Vashon Island resident Ian Moore, Masterwish is chock-full of classic, catchy, sometimes rootsy guitar-pop. Cross predicted that it would make many a Top 10 Seattle records list this year; now that the album is being released nationally and internationally, that list of Top 10 lists is likely to expand exponentially.
“Danny Newcomb is a musician with a rich and lengthy Seattle pedigree, and his new album is full of folky hooks and poppy riffs that will win your heart. But Newcomb’s strongest suit with ‘Masterwish’ is his commitment to well-crafted songs — that standard makes this album soar. It’s only September, but ‘Masterwish’ most certainly will belong on a list of the Top Ten Seattle Records of 2015.” — Charles R. Cross, Author
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Today’s Record Exchange Secret Treefort In-store is …
Into It. Over It. will perform at 3:30 p.m. TODAY at The Record Exchange, 1105 W. Idaho St. in Downtown Boise. An album signing/meet and greet will follow.
As always, this Record Exchange in-store event is free and all ages — and you don’t need a Treefort pass to attend (but you should get one anyway).
ABOUT INTO IT. OVER IT.
To say that the Internet killed the “regional” band is to make a perfectly reasonable assertion. We know this not so much as a hard and fast rule, but as a general observation that mostly works. In the years before AOL inundated our mailboxes with software installation discs, we frequently used an artist’s locale as our most reliable signifier; the name of your city or state or small town was shorthand for your style. Most of our favorite artists introduced themselves at shows by saying things like, “We are a band called Fugazi from Washington, D.C.,” and they told us that because in the off-chance that we didn’t know who was actually on stage, we all knew what it meant to be from Washington D.C. That information alone gave us a sense of what they stood for, who they revered, and if not what they would sound like, then certainly what they wouldn’t sound like. The same could be said for bands from New York or Louisville or Seattle or Minneapolis or Detroit. There were always outliers, of course. But in this era before hyper-connectivity, different regions were allowed to take time in developing their own disconnected styles of playing music long before the rest of the world could hear it. Each region invented its own fashion sense, its own cultural heroes, and in the case of punk, even its own unique style of slamdancing — and they were able to do that in relative isolation because there was no fear of people in Paris watching the video on YouTube later that week.
Which is why, if you look for it, you’ll notice that as soon as our musical experience became firmly entrenched online — at some point in the early millennium — our signifiers changed. Fewer artists introduced themselves as representatives of their cities anymore. Global communication demanded a more universal lexicon, and with that, we chose to herald the shaky planks of “genre” as solid ground.
II.
Evan Weiss has spent much of the last eight years preoccupied with place. Recording under the name Into It. Over It., Weiss has already dedicated an entire album to the American city (Twelve Towns), in addition to writing countless songs named after geographical positions both general (“A New North-Side Air,” “Connecticut Steps”) and painstakingly specific (“Midnight: Carroll Street,” the entirety of a split LP with Koji named after five small Chicago neighborhoods). In fact, if you were to quickly run through the track listings for his entire discography, you’d be hard-pressed to find a single release that fails to make this connection explicit in some way. Even a cassette-only covers EP manages to include The One AM Radio’s “Ghost on the East Coast.” And that’s just the song titles.
That the emergence of Into It. Over It. and its subsequent fixation with “spatial exploration” — the name of a song on Intersections, if you’re keeping count — seems to neatly coincide with Evan’s move to Chicago in 2008 is more conspicuous than coincidental. We tend to think more about place when we’re feeling displaced.
III.
Chicago is a central city, in more ways than one. Historically, the music community there has always taken advantage of its own cultural, political, and social in-betweenness in a manner so distinct that its regionality subsumed otherwise arbitrary classifications. Chicago Blues, Chicago House, Chicago Jazz. These aren’t offshoots as much as innovations.
At its core, the “sound” of Chicago’s music community has always capitalized on its physical and ideological distance from the East and West Coast wings of industry; its creative tendencies lean more towards freedom than formula, more towards hybridity than homogeny. It’s the reason why Marshall Jefferson and Steve Albini could each discover Roland drum machines in the 1980s and wind up with records as disparate as “Move Your Body (The House Music Anthem)” and Songs About Fucking, and why many locals didn’t feel a need to choose one over the other.
IV.
Standards is the third “official” Into It. Over It. album. It’s an album that was written in a cabin in Vermont and recorded in San Francisco, on opposite ends of the country, and yet it’s also somehow a record so thoroughly Chicago that — in the way most great Chicago records do — it exposes a breach in genre classification. From the onset, Standards delivers a newfound openness that yields the kind of hybridity most associated with Weiss’s adopted city. It’s a position where skittish post-punk evolves from a Rhodes electric piano; where ambient post-rock drifts alongside a low-slung jazz groove; where Fahey-styled fingerpicking gives way to sharp and angular distortion. “We went into this record intentionally unprepared, and I have never done that before,” Weiss recalls, and this is probably the point. Cohesion happens in the process, not the product.
None of this, Weiss says, could have been possible were it not for the creative culture fostered by John Vanderslice (Spoon, Mountain Goats, Death Cab for Cutie), who ultimately produced the album at Tiny Telephone Studios and later called Evan “one the most challenging and surprising songwriters I’ve ever worked with.”
That’s the other thing: By allowing his music to become more playful and improvisational, Weiss has also become a more honest songwriter. He sounds free.
V.
Standards is the first Into It. Over It. album to feature a track listing devoid of any explicit references to a geographical location. A song called “Who You Are ≠ Where You Are,” however, comes ironically close.
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