JOSH RITTER BOOK READING AND PERFORMANCE AUG. 12 AT THE RX!

The Record Exchange and Rediscovered Bookshop are proud to present Josh Ritter live at The Record Exchange (1105 W. Idaho St. in Downtown Boise) on Friday, Aug. 12. This special book reading, solo musical performance and signing will begin at 8 p.m. (Note: The Record Exchange will close at 7 p.m. to set up for the event.)

Wristbands guaranteeing admission to the event are available at The Record Exchange and Rediscovered Bookshop (180 N. 8th St. in Downtown Boise).

Customers will receive two wristbands with purchase of a Josh Ritter bundle ($34.99)* that includes a copy of his debut novel, Bright’s Passage, and a Bright’s Passage American Apparel T-shirt.
*while supplies last

Customers will receive one wristband with the purchase of any one of the following items*:

Bright’s Passage book ($22)
Bright’s Passage American Apparel T-shirt ($18)
So Runs the World Away album ($14.99 CD, $17.99 vinyl)
The Historical Conquests of Josh Ritter album ($9.99 CD)
The Animal Years Deluxe Edition album ($14.99 CD, $17.99 vinyl)
Hello Starling Deluxe Edition album ($14.99 CD, $17.99 vinyl)
Golden Age of Radio Deluxe Edition album ($14.99 CD)
Josh Ritter album ($11.99 CD)
In the Dark: Live at Vicar Street mini-album ($8.99 CD)
Live at the 9:30 Club mini-album ($7.99 CD)
Live at The Record Exchange mini-album ($6.99 CD)
To the Yet Unknowing World mini-album ($5.99 CD)
4 Songs Live mini-album ($5.99 CD)
*while supplies last

ABOUT BRIGHT’S PASSAGE

The novel follows a young, widowed veteran of the First World War, Henry Bright, as he and his infant son, along with an unlikely guardian angel, flee from a forest fire and Bright’s cruel in-laws. Shifting between their strange journey through West Virginia’s hickory-canopied foothills, Bright’s harrowing memories of the trenches of France, and recollections from his childhood, the novel is at times suspenseful and kinetic, quiet and eerie, and often humorous.

PRAISE FOR BRIGHT’S PASSAGE

“Josh Ritter is already one of the country’s most accomplished songwriters. Based on the heartbreaking, luminous Bright’s Passage, he may become one of our most accomplished novelists as well.” — Dennis Lehane, author of Mystic River and Shutter Island

“An adventure story with the penetrating emotional colors of a fable; a myth-like survival quest with the convincing texture of a movie; a good read that stays in the memory.” — Robert Pinsky

“A perfect marriage of the miraculous and the mundane, Bright’s Passage is itself something of a miracle. Combining the pull of a big ballad and the intimacy of a whispered monologue, it satisfies on every level: from its deceptively casual style and unexpected coinages to its astute psychology and emotional power. I imagine this is precisely the book every fan of Ritter’s music wanted, but Bright’s Passage is far more than that.” — Wesley Stace, author of Misfortune and Charles Jessold, Considered as a Murderer

“A dark, enchanting parable that reads as both a warning and a reassurance, Bright’s Passage has echoes of voices as disparate as Ron Rash, Richard Bausch, and Neil Gaiman. But, as always, Josh Ritter’s haunting, graceful work is his own. His gifts are of singular beauty, and the world of American art is fortunate to have been blessed with his talent.” – Michael Koryta, author of So Cold The River and The Cypress House

“In his debut novel Josh Ritter displays the same love of language and historical detail, the same irresistible combination of wit and earnestness, that make him such a brilliant songwriter. He’s created a genuine work of literature.” — Debby Applegate, Pulitzer Prize-winning author of The Most Famous Man in America: The Biography of Henry Ward Beecher

“After earning his place as one of the most gifted songwriters of our time, Josh Ritter goes off and writes a terrific novel. Set in post-World War I Appalachia, Bright’s Passage charts the journey of a young, lost soldier, home from the war but in a sense still there. This is one of the finest first novels to come our way in a long time.” — Thomas E. Ricks, author of Fiasco and The Gamble

RECORD EXCHANGE TOP 20 SELLERS (WEEK ENDING JULY 31)

1. So Runs the World Away, Josh Ritter
2. 21, Adele
3. Live at Benaroya Hall with the Seattle Symphony, Brandi Carlile
4. Sigh No More, Mumford & Sons
5. Bon Iver, Bon Iver
6. Break in the Clouds, Elephant Revival
7. Torches, Foster the People
8. The Harrow and the Harvest, Gillian Welch
9. Golden Age of Radio, Josh Ritter
10. Indigo Dreams, BoDeans
11. Hello Starling, Josh Ritter
12. Rare Bird Alert, Steve Martin and the Steep Canyon Rangers
13. Sound Kapital, The Handsome Furs
14. Loverboy, Brett Dennen
15. Fleet Foxes, Fleet Foxes
16. Josh Ritter, Josh Ritter
17. The Animal Years, Josh Ritter
18. Various Artists, Rave On Buddy Holly
19. Whatever’s On Your Mind, Gomez
20. Little Hell, City and Colour

NEW WU-TANG CLAN AND OTHER CD RECOMMENDATIONS FROM THE RX!

BUY THE CD HERE

Following their unexpected Glastonbury appearance, and 18 years since they revolutionised hip hop with eerie samples and brutal stories from the street, the rap collective’s sixth album finds them lightening up – a little. They’re still chronicling gangster life, albeit a former one, but the beats are now funkier, offering a surprisingly accessible counterpoint to the cinematic, bloodthirsty narratives of star rapper Ghostface Killah. His caustic delivery propels the best tracks here. — The Telegraph

OTHER NEW CD RECOMMENDATIONS:

All Shall Perish This is Where It Ends (deluxe edition also available)
BoDeans Indigo Dreams
Vanessa Carlton Rabbits on the Run
Iwrestledabearonce Ruining it for Everybody
Rival Sons Pressure and Time
Falling in Reverse Falling in Reverse
Eric Church Chief
Metronomy English Riviera
Robin Trower Robin Trower Live
Jimmie Vaughan Plays More Blues and Ballads
Various Artists Ultra Weekend 7
Roxette Greatest Hits

ALIVE AFTER FIVE: HEY MARSEILLES

This week’s Alive After Five headliner: Hey Marseilles
Go Listen Boise local opener: Junior Rocket Scientist

ABOUT HEY MARSEILLES:

The thing about traveling is that you always end up back where you started. Ashes to ashes and all that big-picture stuff.

For Hey Marseilles (heymarseilles.com), travel is as much a state of mind as location of body. This is a seven-piece Northwest band deeply rooted to its place of origin but equally anxious to get away, to see it all. Not escapism, but expansion: Listen closely to To Travels & Trunks and you’ll hear faraway places named not so much as a wish list but as incantation. The broader your horizon, the deeper your longing, the more genuine your experience.

And so, in 2008, three guys embark on a musical adventure instigated by one’s first melody on his brand-new used accordion. And, some months later, seven guys—the original trio plus a few old friends—get together in a garage in Seattle and record an album. To Travels & Trunks is both Hey Marseilles’ mission statement and its hazy dream put to music.

The Hey Marseilles sound is immediate, evocative, mostly acoustic, always emotive. It’s classically-trained brothers Sam and Jacob Anderson on cello and viola, their strings grand and mournful on To Travels & Trunks‘ sweeping title track. It’s the wheeze and moan of Philip Kobernik’s accordion, simultaneously the gawkiest and most romantic of all instruments, opening the gorgeous “From a Terrace,” and his kid-at-a-carnival Rhodes on the 6/8 spin of “Gasworks.” It’s Nick Ward’s electric guitar on the epic “Calabasas,” stretching into the distance like an open road. It’s the Dixieland swagger of Patrick Brannon’s trumpet on uptempo lead single “Rio”—recently Song of the Day at NPR, Spinner.com, and KEXP. It’s a songwriter’s urgent expression via vocalist Matt Bishop, expanded with huge singalong choruses, unraveled by a virtuoso band’s sinuous arrangements. It’s modern vintage, a folk-pop jam session at a vanished cabaret on the Seine, an indie rocker’s fantasy of his grandparents’ first kiss.

By developing this sound—a process captured on To Travels & Trunks—Hey Marseilles discovered that the band isn’t any one of these things but all of them. And none of them, too: When Hey Marseilles headlined a holiday party at Neumo’s in Seattle, nobody expected MC Thomas Grey of local party-hop outfit Champagne Champagne to spit a few bars over a Christmas-song medley, but there he was, and somehow it made sense. Just like the inclusion of their cover of Daniel Johnston’s “True Love Will Find You in the End” in the Starbucks-compiled Sweetheart 2010. Moments like that—and more, during Hey Marseilles’ headlining slots at local clubs and winning appearances at major Northwest festivals like Bumbershoot, Capitol Hill Block Party, Doe Bay Fest—keep fans guessing while rendering them true believers.

Because really, this is just a bunch of guys making the music they wanna hear. Because really, with a palette this colorful, anything—and anywhere—is possible.

NEW RELEASE OF THE WEEK: JOSS STONE’S GRITTY, SOULFUL ‘LP1’

BUY THE CD HERE
BUY THE VINYL HERE
BUY THE MP3 ALBUM HERE

After enduring a lengthy battle with her record company, working with Raphael Saadiq, collaborating on movie soundtracks, and forming a band called Superheavy with Mick Jagger, Dave Stewart and Damien Marley as well as acting in the film Eragon and Showtime’s The Tudors, Joss Stone’s become her own woman. Launching a label after fighting for emancipation, she applies that torque, frustration and fire on LP1, a full-tumble of relentless musicianship, grit and soul. Cut live over six days in Nashville, it conjures the spirit of another supplanted smokey Brit songstress in the steamy South: Dusty in Memphis.

In a world where machined dance fodder, rap-deckled pop and lumbering rawk dominates, a genuine article of soul music—especially one where the thick bass, tumbling Wurlitzer and bright guitars set the tone—is a joyous noise, indeed. — Paste