AT ALIVE AFTER FIVE: JIM LAUDERDALE

This week’s Alive After Five headliner: Jim Lauderdale
Go Listen Boise local opener: Bill Coffey

ABOUT JIM LAUDERDALE

Jim Lauderdale (jimlauderdale.com) is a multi-talented performer and songwriter, with successes in both country and bluegrass music. His roots stem from the Carolinas, yet his career has taken him all over the United States and abroad, making him an international recording artist with an ever-growing fan base. Jim won “Artist of the Year” and “Song of the Year” at the first “Honors and Awards Show” held by the Americana Music Association in 2002. Subsequently, he has hosted this same show for the last seven years.

He is among Nashville’s “A” list of songwriters, with songs recorded by artists such as Patty Loveless, George Jones, The Dixie Chicks, Solomon Burke, Mark Chesnutt, Dave Edmunds, John Mayall, Kathy Mattea, Lee Ann Womack, Gary Allan, Blake Shelton, Vince Gill and George Strait. He also contributed several songs to the successful soundtrack of the George Strait film Pure Country. Not content to just write hits for the stars, he’s toured with the likes of Lucinda Williams, Mary Chapin Carpenter, Rhonda Vincent and Elvis Costello, among others.

Jim’s musical influences include the legendary Dr. Ralph Stanley and George Jones. These influences and his unique sense of melody and lyric help forge a sound that is truly his own. He is a two-time Grammy winner, winning his first in 2002 with Dr. Ralph Stanley for Lost in the Lonesome Pines (Dualtone). His next one came for his second “solo” bluegrass album, The Bluegrass Diaries (Yep Roc 2007) at the 50th Grammy Awards! His first CD with Dr. Stanley, I Feel Like Singing Today (Dualtone/Rebel 1999), received a Grammy nomination as did his first solo bluegrass CD titled Bluegrass (Yep Roc) from 2006. His current release, Patchwork River (his second collaboration with Grateful Dead lyricist Robert Hunter), is currently on the Americana radio charts.

As a performer his credits include production, writing and collaborating on albums such as Wait ‘Til Spring (SkyCrunch/Dualtone 2003) with Donna the Buffalo and Headed for the Hills (Dualtone 2004), his first total project with Robert Hunter. The remainder of Jim’s 18 albums include: Planet of Love (Reprise 1991), Pretty Close to the Truth (Atlantic 1994), Every Second Counts (Atlantic 1995), Persimmons (Upstart 1998), Whisper (BNA 1998), Onward Through It All (RCA 1999), The Other Sessions (Dualtone 2001), The Hummingbirds (Dualtone 2002), Bluegrass (Yep Roc 2006), Country Super Hits, Volume 1 (Yep Roc 2006), Honey Songs (Yep Roc 2008), Could We Get Any Closer? (SkyCrunch 2009) and Patchwork River (Thirty Tigers 2010).

“It’s been a particularly great period for me,” says Lauderdale. “Thanks to the records – I’m performing more and more, which I love. And I love that I can play the Opry one weekend, a jam-band festival the next and then a bluegrass festival the following week. That’s really inspiring to me and I think there’s a real thread there. The roots are the same for all of them and that’s the music I’m interested in.”

NEW DVD/BLU-RAY: DEAD MAN!

BUY THE DVD HERE

Johnny Depp (CHOCOLAT) delivers a remarkable performance in this highly acclaimed tale of adventure and intrigue in the wild, wild west! A young man in search of a fresh start, William Blake (Depp) embarks on an exciting journey to a new town … never realizing the danger that lies ahead. But when a heated love triangle ends in double murder, Blake finds himself a wanted man, running scared — until a mysterious loner teaches him to face the dangers that follow a “dead man.” With an outstanding supporting cast including Gabriel Byrne (THE USUAL SUSPECTS) and Robert Mitchum (CAPE FEAR), and a sizzling soundtrack, DEAD MAN is another motion picture triumph from filmmaker Jim Jarmusch.

OTHER NEW DVD/BLU-RAY RELEASES:

Your Highness

THE VINYL WORD: BLACK SABBATH ‘SABBATH BLOODY SABBATH’ & ‘VOL. 4’

BUY THE VINYL HERE
BUY THE VINYL HERE

About Sabbath Bloody Sabbath (180 Gram) by Black Sabbath:
1973’s Sabbath Bloody Sabbath is the fifth studio album from British heavy metal icons Black Sabbath, and follow-up to Vol. 4 which was released the year prior. The ambitious album found the group expanding upon their signature style with increased production and more complex arrangements resulting in such unprecedented and powerful material as “A National Acrobat” and “Killing Yourself to Live.”

About Black Sabbath Vol 4 (180 Gram) by Black Sabbath:
Originally released in 1972, Vol. 4 is the fourth album by British heavy metal legends Black Sabbath. The release was initially titled Snowblind in reference to the many tracks centered around drug use which was running rampant in the band at the time of the recording. Vol. 4 also found the band expanding upon their trademark sound with the tracks “Wheels of Confusion,” “Tomorrow’s Dream” and “Changes,” while still offering up classic Sabbath fair like the ultra-heavy “Supernaut.”

OTHER NEW VINYL RELEASES:

Dom Family of Love
Horrors Skying
Iwrestledabearonce Ruining It For Everybody
Shelby Lynne Just a Little Lovin’
Willie Nelson Countryman
Nick 13 Nick 13
Nick 13 Nick 13
Styx Grand Illusion
Tank War Machine
Robin Trower & Jack Bruce Seven Moons
Yes Tale From Topographic Oceans

STEVE CROPPER ‘DEDICATED’ AND OTHER NEW CD RECOMMENDATIONS!!!

BUY THE CD HERE

Legendary Stax guitarist Steve Cropper knows that the Shirelles, the Mamas & the Papas and the Hardest Working Man got more commercial mileage out of those numbers than The 5 Royales – the group that originally recorded those records. However, Cropper will always consider those tracks to The 5 Royales songs. In the years before Cropper found fame playing with Booker T. & and the MG’s and Otis Redding, he was enamored with The 5 Royales. Cropper was a big fan of the group’s guitarist and primary songwriter Lowman Pauling. Pauling, like many musicians in the early days of R&B and rock music, had a distinct playing style. The strap on his guitar was long, and the six string hung down by Pauling’s knees. Cropper said that Pauling was a major influence, and his new record Dedicated: A Salute to the 5 Royales allows Cropper to resurrect The 5 Royales for long time fans while also introducing the uninitiated to the group’s music.

Cropper and co-producer Jon Tiven recruited a who’s who of soul, blues, rock and country musicians and vocalists to sing the 15 tracks included on Dedicated. Steve Winwood’s muscular tenor energizes the rollicking R&B number “Thirty Second Lover.” Delbert McClinton glides through the rockabilly cut “Right Around the Corner.” Retro soul fans know that Sharon Jones can tear up a church infused up-tempo number or a mid-tempo torch number, and she does not disappoint on the high energy “Messin’ Up” and on her disturbingly funny duet with Dylan LeBlanc , “Come On & Save Me.” The showcase track on Dedicated takes listeners to the church of love. That ballad, “Someone Made You For Me,” uses imagery and language derived from the church so that the vocalist – in this case Dan Penn – can express his undying love. If this track finds new life as a wedding first dance song, that would be true justice because the words to this song are beautiful. – Soul Tracks
OTHER NEW CD RECOMMENDATIONS:

Arsis Celebration of Guilt
Barenakes Ladies Snacktime!
Luke Bryan Tailgates & Tanlines
Diamond Plate Generation Why?
Dom Family of Love
Gucci Mane & Waka Flocka Flame 1017 Bricksquad Presents Ferrari Boyz
Leon Russell Live In Japan
Scattered Trees Sympathy
Trivium In Waves
Trivium In Waves

NEW RELEASE OF THE WEEK: THE HORRORS ‘SKYING’

BUY THE CD HERE
BUY THE VINYL HERE

When The Horrors dropped Primary Colors two years ago, it was the very definition of a breakthrough success. It picked up a nomination for the Mercury Prize, and found its way onto many critics’ 2009 year-end lists, including our own. But if that album was a breakthrough, then Skying cements the band as a major force in modern music, and captures their unstoppable growth, too.

From the first mechanical gear of “Changing The Rain”, it’s apparent just how much better everything sounds. The textures are more varied, the guitar work is subtle, and the vocals are stronger. There are no “standard” tracks here. Every number attempts something at least a little differently, and succeeds for the most part.

Throughout, the synthesizer work of Tom Cowan is especially noteworthy, but every track has its unique breath of fresh air. “You Said” is full of abrasive, buzzing noise that slides into the background. “I Can See Through You” opens with a disco-meets-early-’90s synth that demands dance floor attention, until a downpour of heavy guitar insists on moshing, instead. “Endless Blue” contains a hazy, summer feel supplemented by a masked horn section. – Consequence of Sound