CIMS HANDPICKED: AMANDA PALMER AND THE GRAND THEFT ORCHESTRA

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Singer, songwriter, piano-slayer and super blogger Amanda Palmer is preparing to release her first new studio album in four years, in conjunction with her new band, The Grand Theft Orchestra, featuring Michael McQuilken, Chad Raines, and Jherek Bishoff. Entitled Theatre Is Evil, the album was recently recorded in Melbourne, Australia, with producer John Congleton (St. Vincent, Murder By Death, Modest Mouse, Xiu Xiu). Arguably her most pop-influenced album yet, Theatre Is Evil showcases Amanda’s powerful vocals and talented songwriting in ways that might surprise even her most ardent fans. Written over the course of several years (since the release of her last studio album, Who Killed Amanda Palmer), the album offers a collection of sounds and rhythms heavily influenced by the music Palmer grew up listening to – most notably 80’s synth rock and Brit Pop. True to form, the undisputed queen of crowd-sourcing and fan engagement enlisted her community of loyal supporters to launch her ambitious global release, selling nearly 25,000 copies of her new album in multiple formats via Kickstarter, along with a variety of unique merch items. But don’t worry: The songs are cool, too.

ATMOSPHERE MEET & GREET AND AUTOGRAPH SESSION SEPT. 13!

Atmosphere will visit The Record Exchange for a meet and greet at 6 p.m. Thursday, Sept. 13. As always, this Record Exchange in-store event is free and all-ages. Atmosphere is performing at Knitting Factory Sept. 14 and we have tickets for sale at the store!

Fourteen years after becoming the first hip-hop act to put the Twin Cities on the map, Atmosphere has grown into one of the most accomplished MC/producer duos around. Between Slug and Ant, they’ve released seven albums, 13 Sad Clown tour albums and various side-projects like Felt — amounting in well over a million units sold. And along the way have performed to sold-out crowds everywhere from modest sized venues in their hometown to colossal festivals in Japan.

Since releasing their 1997 debut, Overcast!, Ant’s ASR-born melodic beats and Slug’s open book and observational style of rapping continues to evolve into hip-hop that’s more honest — more textured. And the praise for these Rhymesayers pioneers hasn’t stopped flowing in. 

As Rolling Stone once gushed about Slug, “This Minneapolis indie rap hero has potential to spare, delivering taut, complex rhyme narratives with everyman earnestness.” Or as the Village Voice once wrote of Ant, “His dusty grooves are hooky and R&B-informed, and even when they back up Slug’s most maniacally depressed rhymes, they never feel heavy-handed.”

Atmosphere’s latest album The Family Sign comes from a place well refined and firmly planted, from a universal perspective. It’s about being okay with losing friends and strengthening your bonds with others, celebrating the person who’s been the most positive in your life, your kids, your homies, leaving the people you need to behind, and bringing the ones you love with you. It’s about your family, your time and the time you have with them. It’s about living and dying. It’s the truth about family, that it comes from loyalty as much as biology. It’s about breaking down your perceptions of family and really appreciating the people who’ve made you who you are and continue doing so.

The Family Sign is Atmosphere’s most personal and intimate album yet; it involves and engages the listener like never before. Slug’s signature voice weaves in and out of Ant’s ASR-born production, Nate Collis’ bluesy guitar riffs and the sound of Erick Anderson’s unmistakable keys giving The Family Sign a fresh, unique edge without sacrificing Atmosphere’s signature sound.

THE XX'S 'ENTICING' SOPHOMORE ALBUM AND OTHER RX CD RECOMMENDATIONS

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The success of The xx lies in the firmness with which its songs are built. On the trio’s sophomore record, Coexist, British wunderkind producer Jamie Smith is like a mad scientist creating swirling, house-tinged beats. He throws sharp steel drums next to wobbles that rumble so loudly they engulf headphones, or he makes synthesizer screeches so guttural that they could be mistaken for a wild animal’s cry. This recipe—although chaotic and even at times jarring—acts as Coexist’s guiding light. The xx’s self-titled debut illustrated the effectiveness of an empty sound, unafraid to lure the listener in by accenting gaps between delicately drawn soundscapes. Coexist presents a version of The xx that listeners will recognize, but cleans everything up a bit, subtly stretching and improving the formula that won acclaim. These songs are danceable, but—like the rest of the band’s body of work—would also be the ideal soundtrack for lying on the floor of a dark room and making out. — The A.V. Club

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NEW RELEASE OF THE WEEK: BOB DYLAN'S 'TEMPEST' IS 'FANTASTIC'

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NEW RELEASE TUESDAY LISTENING PARTY!

There is a lovely little instrumental passage that opens up Tempest, the new studio album from Bob Dylan. It’s completely unassuming and charming, something that might accompany a beautiful sunset or moonlight glancing off a tranquil ocean. It in no way prepares the listener for the grit and tumult that lies ahead.

The beginning of “Duquesne Whistle” turns out to be a perfect opening to this album of sudden juxtapositions and mood shifts that occur not just within songs but sometimes within verses. Those looking for a smooth ride in one direction should look elsewhere, but people who jump on board the train with the world’s most decorated songwriter will find humanity, in all of its flawed glory, at every turn and enjoy a ride equal parts invigorating and moving.

Whereas Dylan’s previous album, 2009’s Together Through Life, was a pleasant ramble that lacked a bit of substance, Tempest is the kind of meaty offering that his most ardent fans desire most. A large percentage of the ten songs clock in at over five minutes, there are plenty of allusions to be uncovered, and quotable lines pop up constantly.

Unlike the Titanic watchman fast asleep at his post, Bob Dylan’s eyes are as wide open as ever, even when he’s looking back. On this album, he depicts all he sees with his typical insight, dexterity, and honesty, yet he still has ways of doing so that upend all expectations. Tempest is fantastic, but being impressed by Dylan is old hat. That he still finds ways to surprise us is an achievement beyond all comprehension. — American Songwriter

RECORD EXCHANGE TOP 20 SELLERS (WEEK ENDING SEPTEMBER 9, 2012)

1. Sun, Cat Power 
2. Stars and Satellites, Trampled By Turtles
3. Centipede Hz, Animal Collective
4. Drag It Up (Deluxe Reissue), Old 97’s
5. Carry Me Back, Old Crow Medicine Show
6. Failed States, Propagandhi
7. Silver Age, Bob Mould
8. Nothin’ But Love, Robert Cray
9. Boys and Girls, Alabama Shakes
10. Infinity Overhead, Minus the Bear
11. A Thing Called Divine Fits, Divine Fits
12. The North, Stars
13. Screaming for Vengeance Special 30th Anniversary Edition, Judas Priest
14. North, Matchbox Twenty
15. Beacon, Two Door Cinema Club
16. Vol. 2- The Soul Sessions, Joss Stone
17. Antibalas, Antibalas
18. Bowl Of Cherries, Randy Meenach
19. Slipstream, Bonnie Raitt
20. Kill For Love, Chromatics