NEW RELEASE OF THE WEEK: BOISE DUO WOLVSERPENT'S HEAVY RELAPSE DEBUT

new vinylPREVIEW/BUY THE CD HERE
PREVIEW/BUY THE VINYL HERE

When Boise, Idaho, duo Pussygutt reinvented themselves as Wolvserpent with the release of 2010′s incredible debut album Blood Seed, it was more than just a mere change of monicker; it reflected their transition from sparse, abstract dronescapes towards a more structured, malevolent sound that put them within the wide-ranging classification of metal, albeit at the outer fringes.

The culmination of a two-year writing and re-writing period, with the finished album recorded with renowned producer/engineer Mell Dettmer (Sunn 0))), Boris, Earth), the release of their sophomore album Perigaea Antahkarana is upon us.

Considering that Wolvserpent is comprised of only two members, Blake Green on guitar, vocals, and keys, and Brittany McConnell on drums, percussion and violin, the way they build up the various layers in each song without them sounding cluttered or over-thought is miraculous, and their use of loops and effects pedals to produce such a wide variety of sounds is especially impressive in a live environment.

At 81 minutes this is not the sort of album you’ll throw on for some easy-listening, but if you’re willing to dedicate yourself to it, to submit to an awakening of your atavistic instincts, it’s one of the most rewarding immersive experiences that metal on the more avant-garde end of the spectrum can offer.The Sleeping Shaman

NEW KINGS OF LEON AVAILABLE 9/24!

Kings of leon 468x60_GIFkings of leonKings of Leon‘s new album Mechanical Bull hits the streets on Tuesday, Sept. 24, and The Record Exchange will have it on CD, deluxe CD and vinyl!

Mechanical Bull marks Kings of Leon’s return following an abrupt 2011 tour cancellation and subsequent hiatus. It’s the band’s first studio album (sixth overall) since 2010’s Come Around Sundown.

NEW RELEASE TUESDAY 9/17: MGMT, WOLVSERPENT, JACK JOHNSON, ELVIS COSTELLO/THE ROOTS AND MORE!

Here’s a quick look at the bright and shiny new releases this week at The Record Exchange:

CD

Wolvserpent – Perigaea Antahkarana

MGMT – MGMT

Elvis Costello and the Roots – Wise Up Ghost (deluxe edition also available)

Jack Johnson – From Here to Now to You

Grouplove – Spreading Rumors

Johnny Lang – Fight for My Soul

Sebadoh – Defend Yourself

Placebo – Loud Like Love (deluxe edition also available)

Bill Callahan – Dream River

Mark Lanegan – Imitations

Del McCoury Band – Streets of Baltimore

The Devil Wears Prada – 8:18

Five For Fighting – Bookmarks

Islands – Ski Mask

Mike Doughty – Circles

The Bloody Beetroots – Hide

The Band – Live at the Academy of Music 1971 (box set also available)

Grateful Dead – Sunshine Daydream (Veneta, OR 8/27/72)

Tim O’Brien and Darrell Scott – Memories and Moments

Various Artists – High Cotton: A Tribute to Alabama

Windhand – Soma

Tom O’Dell – Long Way Down

Gwar – Battle Maximus

Roky Erickson – Don’t Slander Me

Roky Erickson – Gremlins Have Pictures

Dustin Wong – Mediation of Ecstatic Energy

Twin Forks – Twin Forks EP

Mission – Brightest Light (deluxe edition also available)

Tift Merritt – Traveling Alone Expanded Edition

Why? – Golden Tickets

Lake – The World is Real

Shpongle – Museums of Consciousness

Sponge – Stop the Bleeding

Nightmares on Wax – Feelin’ Good

Garland Jeffreys – Truth Serum

Immortal – Battles in the North

Immortal – Blizzard Beasts

Satyricon – Satyricon

Carcass- Surgical Steel (deluxe edition also available)

TYR – Valkyrja

Flatliners – Dead Language

Band of Heathens – Sunday Morning Record

Forest Swords – Engravings

AVICII – True

Anathema – Universal

Saves the Day – Saves the Day

Tony Joe White – Hoodoo

US3 – Hand on the Torch Deluxe Edition

Berlin – Animal

Alan Parsons Project – I Robot Legacy Edition

Commander Cody and His Lost Planet Airmen – Visit to a Small Planet

Crystal Stilts – Nature Noir

Someone Still Loves You Boris Yeltsin – Fly By Wire

Said the Whale – Hawaiii

Subrosa – More Constant Than the Gods

Lucy Rose – Like I Used To

Tantric – 37 Channels

Doug Stanhope – Beer Hall Putsch

Starship – Loveless Fascination

Johnathan Rice – Good Graces

Dangerkids – Collapse

Grayskul – Zenith

Zendaya – Zendaya

Various Artists – MMG Presents: Self Made Vol. 3

Various Artists – Rolling Stones’ Beginnings Vol. 2

Various Artists – Save a Seat for Me: A Soul Chronology, Vol. 3 (1955-1957)

Various Artists – Soul on the West Coast Vol. 1

Justin Moore – Off the Beaten Path (deluxe edition also available)

Billy Currington – We Are Tonight

Chris Young – A.M.

Ashes of Ares – Ashes of Ares

VINYL

Wolvserpent – Perigaea Antahkarana

MGMT – MGMT

Bill Callahan – Dream River

Chvrches – The Bones of What You Believe

The Grahams – The Riverman’s Daughter

Jack Johnson – From Here to Now to You

Sebadoh – Defend Yourself

Reckless Kelly – Long Night Moon

Grateful Dead – Sunshine Daydream (Veneta, OR 8/27/72)

Shpongle – Musuems of Consciousness

Nightmares on Wax – Feelin’ Good

Mark Lanegan – Imitations

Grouplove – Spreading Rumors

Islands – Ski Mask

Placebo – Loud Like Love

Roky Erickson – Don’t Slander Me

Roky Erickson – Gremlins Have Pictures

Holy Ghost! – Dynamics

Haitus Kaiyote – Tawk Tomahawk

The Flatliners – Dead Language

Forest Swords – Engravings

The Devil Wears Prada – 8:18

The Get Up Kids – On a Wire

The Dirtbombs – Ooey Gooey Chewy Ka-blooey!

Captain Beefheart – The Rarest Previously Unreleased 1970s Live and Studio Tracks

The Brian Jonestown Massacre – Give It Back!

Carcass – Surgical Steel

Centuries – Taedium Vitae

The Bloody Beatroots – Out of Sight

Windhand – Soma

Wintersun – Wintersun

DVD/BLU-RAY

Peter Gabriel – Live in Athens 1987/Play DVD and Blu-ray

Autumn Sonata (Criterion Collection) DVD and Blu-ray

Slacker (Criterion Collection) Blu-ray

World War Z DVD and Blu-ray

Nashville Season 1 DVD

12-12-12: The Concert for Sandy Relief DVD

Bling Ring DVD

PICKWICK IN-STORE TUESDAY, SEPT. 17

PICKWICK_Polaroids_1Pickwick will perform live at The Record Exchange (1105 W. Idaho St., Downtown Boise) at 4 p.m. Tuesday, Sept. 17. The band is opening for Neko Case at Knitting Factory later that evening and we have tickets for sale here at the store! As always, this Record Exchange in-store event is free and all ages!

ABOUT PICKWICK

Pickwick was formed in 2008 when singer Galen Disston began writing songs on his acoustic guitar while drummer Matt Emmett kept time in the background. The duo settled on the name as an homage to ‘The Ostrich,’ an obscure dance song written by Lou Reed and released by Pickwick Records in 1964. With the later additions of Emmett’s childhood friend Cassady Lillstrom on keys, Kory Kruckenberg on vibraphone, and brothers Garrett and Michael Parker on bass and guitar, the six-piece began playing shows in small clubs around Seattle.

By the beginning of 2010 the band was in a state of disarray. Frustrated by the direction the music was taking, the band began having discussions about throwing in the towel and going their separate ways. Up until that point, band members had little to do with the writing process and simply added color to Disston’s songs. Ultimately, the band decided to throw out all of their old material and start over from scratch with a new collaborative approach to songwriting. This rebirth allowed the band to take a new look at their individual and collective strengths, as well as look to new places for inspiration.

Raised on indie rock and a love for lo-fi garage bands, the members of Pickwick found themselves entrenched in underground gospel and blues recordings from the 1950s and 60s as well as popular northern soul artists. This new reference point combined with a renewed appreciation for UK bands like The Animals, Spencer Davis Group, and The Zombies helped the members of Pickwick cultivate their own unique take on garage rock, gospel, and 60s-era pop while interpreting those genres through a modern lens.

Along with a shift in musical aesthetic, Disston began exploring darker, more complicated themes in the lyrics of his songs. Contrasting stories of murder, mental illness, and confused sexual identity with major chords, three-part harmonies, and church organs. This unlikely pairing quickly became a mainstay of the band’s approach to songwriting. “I’ve always been drawn to music that seems a bit schizophrenic,” says Disston.

Inspired by a new burst of creative output, the band wasted little time to self-release their music. Instead of waiting to record a full-length record, the band decided to do things on their own terms, putting their music out exclusively on vinyl with three installments of a 7-inch series. Each 45 was accompanied by a record release show at a different club in Seattle. With the release shows under their belt and a series of DIY live videos gaining attention online, the band had cultivated a strong local following by the middle of 2011.

By late 2011, Seattle independent radio station KEXP caught wind of what the band was doing and began playing the band’s music on-air. By the end of the year Pickwick’s 7-inch series ‘Myths’ was voted the #9 record of the year by KEXP listeners alongside artists such as TV on the Radio, Fleet Foxes, Bon Iver, Wilco, Adele and Radiohead.

The band released their first full-length album Can’t Talk Medicine in early 2013.

THE GRAHAMS IN-STORE TUESDAY, SEPT. 17 (6 P.M.) WITH FREE PIE HOLE PIZZA!

approved GrahamsThe Grahams will perform live at The Record Exchange (1105 W. Idaho St., Downtown Boise) at 6 p.m. Tuesday, Sept. 17. The band is playing Radio Boise Tuesday at Neurolux later that evening and we have tickets for sale here at the store! We’ll also have free Pie Hole pizza while it lasts! As always, this Record Exchange in-store event is free and all ages!

ABOUT THE GRAHAMS

The Grahams, the creative union of lifelong romantic partners Alyssa and Doug Graham, combine soulful bluegrass with hints of earthy Americana, adding colors from traditional folk and country blues, into an infectious blend of storytelling that results in songs of love, loss, yearning, and the view from rural American roads less traveled.

While the duo first met in grade school — a trait shared by previous musical trail-blazers from Lennon/McCartney to Jagger/Richards – the Grahams’ journey together began when they were teenagers in the shadow of New York City. There, Alyssa, the impassioned troubadour, and Doug, the guitarist extraordinaire, shared a mutual love for the music of the Woodstock era and the adventures of the great outdoors. Over the ensuing years many a campfire lit acoustic jam would include the best of roots renegades like Neil Young, The Band, Gram Parsons, Janis and Emmylou along with more than a few Jerry Garcia and Johnny Cash nuggets. Later, spending much of their time in the secluded Adirondack Mountains at the Graham family fold, Alyssa and Doug learned the time-honored craft of songwriting. Here, their ongoing interests in traditional country, mountain bluegrass and folk legends such as The Carter Family and Mississippi John Hurt would blossom. Hoping to share their stories on a wider stage, the couple eventually settled in New York City, where they performed, collaborated and recorded a variety of acclaimed material before adopting The Grahams moniker.

While the duo had written music together before, in the summer of 2012 new writing sessions yielded a different approach. Something magical was happening between Alyssa and Doug. A catalyst was born in the new song “Riverman’s Daughter,” a tale of love, loss, and hardship on the river that showcases Alyssa’s bountiful voice. Backed by her own rhythm guitar, along with the strong current of Doug’s cascading accompaniment on the six string, and traditional vocal harmonies, the track came in a lightning bolt of inspiration. A vision and calling to write more songs of its kind took hold.

Alyssa and Doug had an idea: What if they put their city lives on hold and, armed with just guitars and backpacks, traveled the 2,500 miles of highways and byways of the Mississippi River from Minnesota to Louisiana. Light out for the territory, so to speak, like Huck and Jim. There, the duo could follow the Great River Road (GRR) that parallels the waterway, meet the people, and hear first-hand where European folk music, brought to these shores generations ago, took root alongside rhythms and chants from Africa, and how these polarizing sounds formed the backbone of our 20th Century American musical heritage.

And so The Grahams did just that, and in the process created their debut album, Riverman’s Daughter. Along the way The Grahams played gigs at the various gin and juke joints that dotted the GRR, and met a colorful cast of characters and genuine music makers with whom the duo shared and exchanged stories through the common bond of song.

Eventually Alyssa and Doug ended up intentionally isolated on an old houseboat in rural Louisiana where the Mississippi spills into the Atchafalaya swamp. There, The Grahams prolifically stockpiled songs, enjoyed the simplicity of living off the grid, and for a spell, invited onboard friends and musicians including their longtime collaborator Bryan McCann, a wordsmith who aids with lyrical inspiration. Yet perhaps the biggest inspiration on Riverman’s Daughter was Doug’s own mother, Gigi, the matriarch of the Graham family clan, and a true fan of the duo who had been diagnosed with cancer earlier that year. As her condition worsened, the Grahams packed up their guitars and newly minted collection of songs to become Gigi’s “angel band,” and played by her side until she passed away.

As recording of the new album began, The Grahams found a true kindred spirit in Grammy-winning producer Malcolm Burn, who brought a magical touch and inspired ideas into the studio. It was Burn’s idea to record both Alyssa and Doug’s parts live to tape without the assistance of headphones or isolation — in the way they were written. This process gives the album a natural aura that harkens back to an era when this practice was commonplace. Along the same lines, The Grahams chose to record the album in Nashville, the longtime epicenter of country music. While the album’s foundation is simple and acoustic, The Grahams are backed on a few tracks by stellar accompaniment including the Grammy-nominated North Mississippi Allstars. Along with the title song the album is highlighted by the 70’s country rock flavored “Carrying The Torch,” the spirited traditional vibe of “The Piney River,” and the riveting upbeat barn dance playfulness of “Revival Time.”

Ultimately, the album is a winning culmination of The Grahams’ long journey into the heart of America, the inspiration they derived from immersion into classic American music, and the natural and honest talent they have for bringing forth a modern musical idiom steeped in tradition.