94.9 FM THE RIVER PRESENTS MIKE DOUGHTY LIVE AT THE RECORD EXCHANGE SEPT. 9 (HIS ONLY SHOW IN TOWN); GET HIS NEW ALBUM A WEEK BEFORE THE OFFICIAL RELEASE DATE!

MikeDoughty_by_DeborahLopez_0128-large94.9 FM The River presents Mike Doughty live at The Record Exchange (1105 W. Idaho St. in Downtown Boise) at 7 p.m. Tuesday, Sept. 9. This is Doughty’s only show in town, and fans will have the opportunity to purchase his new album “Stellar Motel” (CD or LP) a week before its official Sept. 16 release date! As always, this Record Exchange in-store event is free and all ages.

ABOUT MIKE DOUGHTY

Mike Doughty has built a successful solo career in the 14 years since his departure from Soul Coughing. In the fall of 2013, after famously eschewing his former band’s repertoire for most of his career, Doughty released an album of re-imagined Soul Coughing songs titled Circles Super Bon Bon… (the full title is 41 words long — a list of every song on the album) and toured the U.S. in support of it with Catherine Popper on upright bass, Pete Wilhoit on drums, and Doughty himself on guitar, turntables, and sampler. Now, Doughty returns with Live At Ken’s House, a recording of the live show, featuring many Soul Coughing songs that were arranged for the tour, but weren’t on the album. Live at Ken’s House was banged out in a single day, four days after the tour’s end.

“The band was pretty spectacular,” Doughty says, “and the shows were intense. Obviously, we were at maximum tightness after 32 shows, and I wanted to take immediate advantage of that.” Doughty, who has a tendency to be almost psychotically busy, will follow this live release with his next studio album, titled “Stellar Motel,” in September, and will tour the country extensively in the fall in support of both releases.

RECORD EXCHANGE TOP 10 SELLERS (WEEK ENDING SEPTEMBER 7, 2014)

418456076461-5001. Primitive and Deadly, Earth
2. Seasons, Hollow Wood
3. Lazaretto, Jack White
4. Step Back, Johnny Winter
5. When I Was Younger, Colony House
6. Hypnotic Eye, Tom Petty and the Heartbreakers
7. AM, Arctic Monkeys
8. Swimmin’ Time, Shovels & Rope
9. Foundations of Burden, Pallbearer
10. Southsiders, Atmosphere

BEATLES MONO VINYL LPs AVAILABLE TUESDAY, SEPT. 9; GET A LIMITED EDITION T-SHIRT WITH PURCHASE OF ANY TITLE!

beatles mono

The Beatles in mono:  This is how most listeners first heard the group in the 1960s, when mono was the predominant audio format.  Up until 1968, each Beatles album was given a unique mono and stereo mix, but the group always regarded the mono as primary.  On September 9, The Beatles’ nine U.K. albums, the American-compiled Magical Mystery Tour, and the Mono Masters collection of non-album tracks will be released in mono on 180-gram vinyl LPs with faithfully replicated artwork.  Newly mastered from the analogue master tapes, each album will be available both individually and within a lavish, limited 14-LP boxed edition, The Beatles In Mono, which also includes a 108-page hardbound book.

In an audiophile-minded undertaking, The Beatles’ acclaimed mono albums have been newly mastered for vinyl from quarter-inch master tapes at Abbey Road Studios by GRAMMY®-winning engineer Sean Magee and GRAMMY®-winning mastering supervisor Steve Berkowitz.  While The Beatles In Mono CD boxed set released in 2009 was created from digital remasters, for this new vinyl project, Magee and Berkowitz cut the records without using any digital technology.  Instead, they employed the same procedures used in the 1960s, guided by the original albums and by detailed transfer notes made by the original cutting engineers.

Working in the same room at Abbey Road where most of The Beatles’ albums were initially cut, the pair first dedicated weeks to concentrated listening, fastidiously comparing the master tapes with first pressings of the mono records made in the 1960s.  Using a rigorously tested Studer A80 machine to play back the precious tapes, the new vinyl was cut on a 1980s-era VMS80 lathe.

Manufactured for the world at Optimal Media in Germany, The Beatles’ albums are presented in their original glory, both sonically and in their packaging. The boxed collection’s exclusive 12-inch by 12-inch hardbound book features new essays and a detailed history of the mastering process by award-winning radio producer and author Kevin Howlett.  The book is illustrated with many rare studio photos of The Beatles, fascinating archive documents, and articles and advertisements sourced from 1960s publications.

The Beatles In Mono:  Available individually and collected in a limited 14-LP boxed edition, accompanied by an exclusive 108-page hardbound book.

Please Please Me
With The Beatles
A Hard Day’s Night
Beatles For Sale
Help!
Rubber Soul
Revolver
Sgt. Pepper’s Lonely Hearts Club Band
Magical Mystery Tour
The Beatles (2-LP)
Mono Masters (3-LP)

PAYETTE BREWING CO. PRESENTS COLONY HOUSE IN-STORE FRIDAY, SEPT. 5; FREE PAYETTE BREWING CO. BEER!

ColonyHouse_Press_307Payette Brewing Co. presents Colony House live at The Record Exchange (1105 W. Idaho St.) at 6 p.m. Friday, Sept. 5. We’ll be serving free Payette Brewing Co. beer for guests 21 and older with I.D. As always, this Record Exchange in-store event is free and all ages. Colony House is performing at Neurolux later that evening and we have tickets for sale at the store!

ABOUT COLONY HOUSE

colony house albumIn a relatively brief span of time, Colony House has emerged as a vibrant creative force, as well as a beloved fan favorite with a passionate, fiercely loyal fan base. That audience is likely to expand substantially with the release of When I Was Younger, the Nashville trio’s first full-length album, whose 14 compelling original tunes fulfill the abundant promise of the band’s three widely-acclaimed, self-released EPs.

It’s not surprising that Colony House has struck a resonant chord with listeners. The threesome maintains a balance of craft and immediacy that reflects its affinity for the sound of such alt-rock outfits as Interpol and The Killers, while echoing the influence of such alternative icons as U2 and New Order. They’ve assimilated their multiple influences in a manner that’s wholly distinctive, adding tight harmonies, strong instrumental chops and a keen melodic sensibility that’s all their own.

Lead singer, guitarist and principal songwriter Caleb Chapman writes effortlessly infectious tunes that resonate with personal experience and emotional authority. The songs’ messages of faith, hope and perseverance are matched by the organic musical rapport of Caleb and his bandmates, brother Will Chapman on drums and Scott Mills on lead guitar and harmony vocals.

“The songs I write have always come from deep places, whether they’re deep places of joy or deep places of hurt, and it can be hard inviting people into those places with you,” Caleb states.

That openhearted attitude is reflected throughout When I Was Younger, both in Caleb’s expressive vocals and in the band’s vivid performances of such personally-charged tunes as “Silhouettes,” “Second Guessing Games,” “Keep On Keeping On,” “Waiting for My Time to Come” and “Won’t Give Up,” which exemplify the combination of sharp lyrical insight and indelible melodic craft that makes Colony House special.

As When I Was Younger demonstrates, much of Colony House’s appeal lies in the three bandmates’ powerful rapport, which extends into every aspect of their lives—and which has defined their approach towards the music.

“Our musical and personal chemistry goes hand in hand,” Caleb affirms. “The three of us are best friends, which means that at any given moment we are each other’s worst enemies as well. Being in a band is like being in a marriage—it’s a constant reminder of your own pride, and a reminder that you have to be willing to sacrifice in order for it to be successful. We’ve made a conscious effort to build the foundation of the band on our friendship, and then letting that spill over into our creative relationship.”

As the sons of Contemporary Christian pop superstar Steven Curtis Chapman, Caleb and Will Chapman have been steeped in music for their entire lives. They began making music together in early childhood, playing with their dad as well as their own combos. In 2009 they joined forces with Scott Mills, who they’d met through a cousin. Although initially known collectively as Caleb, the trio rechristened themselves Colony House in 2013, borrowing the name of an apartment complex in their hometown of Franklin, where Will and Scott as well as Caleb’s future wife had all lived prior to the band’s formation.

The new combo quickly began to win attention, bringing its charismatic live shows to fans via diligent touring, while earning critical raves with a series of acclaimed EPs: Colony House, Trouble and To the Ends of the World. Along the way, the band members found time to pursue other musical adventures, with Caleb collaborating with Will’s wife, singer Jillian Edwards, as the In-Laws, and Will moonlighting playing drums on tour with noted indie combo Ivan and Alyosha.

But Colony House remains the focus of their musical lives, as When I Was Younger makes clear. “We labored on the album for a long time,” Caleb notes. “We began recording it in September 2012 and finished it in July 2013. We had our dear friends Joe Causey and Ben Shive co-produce it, which made it a very special experience. They knew that this was our first full-length project, and I think that they felt the responsibility to help us tell our story the right way.

“Creating this record had such a strong set of contrasting emotions: joy, hope, frustration, sorrow, uncertainty, confidence,” he continues.

“These songs are questions that I have been wrestling with for months, sometimes years,” Caleb asserts. “They’re stories I had been trying to write in the dim light of my 100-square-foot room long before they were ever brought to life in a studio. We created the album conceptually, trying to keep in mind the rules of telling a story. There must be a dramatic arc, a beginning, a middle and an end. So in that way, every song is a piece of the equation. The front half of the album is a bit more lighthearted and fun, and then the back half gets a bit heavier. And the last third, starting with ‘Won’t Give Up,’ is very important to us.”

Perhaps the most startling aspect of When I Was Younger is the band’s forthrightness in addressing some deeply personal, emotionally raw issues, most notably the accidental death of Caleb and Will’s 5-year-old adoptive sister Maria Sue in 2008. That tragedy is addressed on several of the album’s songs, including “Keep On Keeping On” and “Won’t Give Up,” underlining the songs’ recurring themes of faith and family.

“It has been a difficult thing to do, sharing your family tragedy when telling your story or singing your songs,” Caleb states. “But I think that it’s important to tell. Everyone has a story of pain, of heartbreak, of a letdown or failure, and that is a thread that ties us all together—the ones on stage and the ones in the crowd. We were dealt a painful hand, but it’s what has bound us together so tightly. We want to create honest art, and this is the most important thing that has happened in our lives, so it would be a hard thing to leave out of our story.”

That heart-on-sleeve honesty is just one of the qualities that make Colony House a special band, and make When I Was Younger such a remarkable musical statement.

“We believe that we have a story to tell—a story of hope and perseverance—and that’s what we want to leave people with,” Caleb concludes. “We are not in the business of writing tragedies. We have experienced tragedy, but we’ve also seen hope triumph. Our faith is woven throughout everything we do musically, just as it’s woven into the foundation of our lives.”

WIN A GRISWOLDS HAND-DECORATED PORTABLE TURNTABLE – ONLY 10 MADE!

the-griswolds-be-impressive

The Record Exchange was one of only 10 indie record stores in the country to get our hands on a Crosley portable turntable hand-decorated by the Griswolds in celebration of their new album Be Impressive, and one lucky customer will win it!

To enter the drawing, send an email with the subject “Griswolds” HERE by midnight Thursday, Sept. 4. We will draw a name at random and notify the winner on Friday, Sept. 5.

* One entry per person, NOT per email address. If you have 16 email addresses and you enter with each address, we’ll just delete 15 of them. We have the technology. To be eligible to win, you must live in the Boise metro area and be able to pick up your prize at the store.