NEW DVD/BLU-RAY: LOS LOBOS CLASSIC 'KIKO' REVISITED ON 20TH ANNIVERSARY

BUY DVD HERE
BUY BLU-RAY HERE
BUY LIVE CD HERE
BUY DELUXE STUDIO CD HERE

The always impressive Shout! Factory label pulls out all the stops to celebrate the 20th anniversary of Los Lobos’ monumental recording with three releases, all available separately. The original Kiko album was an anomaly at the time of its 1992 release, not just because it showed that the already well-respected Los Lobos were more than just a really good roots rock band, but because it so successfully broadened their artistic vision, lyrically and musically, with production (by Mitchell Froom) that expanded on their established Chicano/American/folk/soul/rock elements with experimental textures. Two decades later it remains the highlight in Los Lobos’ remarkably consistent catalog and a terrific, even revelatory listen. This newly remastered studio edition includes 5 additional tracks—3 of them live from 1992– terrific liner notes with lyrics, full credits, rare photos and is the place to start, even if you already own it. But the concert recording, DVD and Blu-ray that recreates the album in order, captured at a February 2006 gig and unreleased until now, shows how well the band translates the studio creations to the stage even if many had not been played live until this show. Short interview segments provide detail on the songs and the project’s sonic construction. In any version it’s essential listening for existing fans and especially for those new to this contemporary rock classic. — American Songwriter

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ALIVE AFTER FIVE: GET DOWN TO ACORN PROJECT'S ELECTRO-FUNK GROOVES!

This week’s Alive After Five headliner: Acorn Project
Go Listen Boise local opener: Edmond Dantes

ABOUT ACORN PROJECT

Deep electro-funk grooves and sonic instrumental exploration interlaced with a provocative indie-rock songwriting ability have become the signatures of Bellingham, Washington’s Acorn Project. As a long-time staple on the touring circuit of the Pacific Northwest, the sextet has spent the past three years expanding their region and is a recognizable touring machine on the West Coast, British Columbia, and out through Colorado and the Southwestern United States.

Formed in 2002 from basement jam-session beginnings, original members Andy Pritiken (guitar/lead vocals), Sam Lax (Saxophone/Percussion/Vocals), Todd Benedict (Drums), and former member Kale McGuinness (Bass) came together in the most incubescent way. Not one member had played in any organized musical group. For this reason they chose the name Acorn Project in 2004, symbolizing their collective effort to grow as a musical entity with focus and dedication for their passion for live music.

Additions were made, including Oskar Kollen (Keys/Vocals 2005) and long-time guest musician and virtuoso Tristan Curran (Lead Guitar/Vocals 2006), bringing the band’s sound to new heights. Scott Vaillancourt (Bass 2010) recently replaced McGuinness and has efficiently adopted Acorn’s repertoire with over fifteen years experience under his belt as a professional musician. Vaillancourt rounds out the current six-piece ensemble as they continue to produce an irresistibly unique sound with the same focus, dedication, and dream-worthy energy of their beginnings, and current aspirations of becoming an established national touring act.

“Acorn Project, who conjures up the appealing marriage of mid-period Pink Floyd, early Radiohead and the blues-jazz-dub whap of Morphine… cuts a broad cloth that could fit classic rockers, jam fans, and jazz heads with taste for prog. Often mélanges of this kind come out mushy and indistinct, too many ingredients dulling the sharpness of individual elements, but Acorn’s production and arrangement savvy keep things bright and together throughout. A hard touring bunch… unlike many road dogs, they clearly know their way around a studio, too.” — Dennis Cook, Jambase (Editor)

Acorn Project’s debut album We’ll Be Fine, released in May of 2006, quickly spread their music around the nation. The album charted as high as #5 on the jambands.com national index, and #4 on CMJ charts throughout the country. Eartaste.com rated it one of the top 12 albums of the year, and great reviews flooded in from all parts of the U.S. and Europe. We’ll Be Fine took home the album of the year award in the 2008 What’s Up Awards sponsored by What’s Up Magazine.

Their sophomore studio effort Generation Debt, was released in September 2010 and improves where We’ll Be Fine left off. Debuting at #1 on jambands.com national radio chart and holding in the top 25 for nearly three months, Debt has escalated Acorn Project’s national recognition and impressed critics with “a swinging, sensual mood prevailing in a darkly thoughtful set of songs.” Generation Debt is an intricately written and cohesively designed album that is simply perfect for its time.

Boasting an impressive resume, high profile performances are common for Acorn Project. Since fall of 2007 the band has performed with seasoned professionals such as Widespread Panic, Tea Leaf Green, EOTO, RAQ, Zilla, BLVD, Hot Buttered Rum, The Bridge, Blue Turtle Seduction, Izabella, Flowmotion, The Everyone Orchestra, Kyle Hollingsworth, Steve Kimock, David Grisman and The Motet. Acorn has been welcomed to world-renowned festivals and premier venues alike.

The Santa Cruz Metro perhaps stated it best in their show preview from 2008:

“While classic jam bands are a dime a dozen; indie rock jam bands are slightly more expensive. Bellingham, Washington’s Acorn Project gives listeners their money’s worth with funky epics that rock enough to make a good Christmas present for your Deadhead uncle but are jazzy enough to play for your hipster friends… Constantly changing and seldom boring, this is a show not to be missed.”

CORY CHISEL IN-STORE SUNDAY, AUG. 19!

Cory Chisel and the Wandering Sons will perform live at The Record Exchange (1105 W. Idaho St., Downtown Boise) at 3 p.m. Sunday, Aug. 19. As always, this Record Exchange in-store performance is free and all ages. The band is opening for Norah Jones at the Idaho Botanical Garden that evening!

We’ll be giving away a pair of tickets to see Trampled By Turtles (Sept. 5, Knitting Factory) at the in-store — must be present to win!

ABOUT CORY CHISEL

Old Believer \ Ōld bǝ-l ēvǝr\ n 1: one who has been through a lot in their life and hasn’t lost hope 2: one who doesn’t feel cynical and still feels connected to the world that we’re living in but is wise enough to know a thing or two about it 3: OLD SOUL

Cory Chisel is an old believer. You can hear it in his music — there’s a wisdom beyond his years in that voice. You can see it in his story — the son of a preacher, sheltered from pop music, raised on hymns and Johnny Cash. “Mom played piano and organ, my dad did the preaching, the thing that my sister and I could add to the service was to sing.” As fate would have it, the kid was born to do it.

He grew up in the iron range town of Babbit, Minnesota, and the rural flatlands of Appleton, Wisconsin. Along with the family’s spiritual doctrine came a musician uncle who taught Cory about the blues: Howlin’ Wolf, Robert Johnson, Sonny Boy Williamson.

This musical education put young Cory on a path that was well worn by the greats who came before him and influenced him. People like Cash, Bob Dylan, Van Morrison, Leonard Cohen, Tom Waits, Sam Cooke and Otis Redding. For Cory, songwriting is a by-product of existing. We all talk to ourselves. Cory does so with a melody.  Those internal conversations are the seeds, the building blocks of his songs. “Where a painter, in order to express himself, would reach for a canvas and paints, I go to the guitar and try to build it out.  Or sometimes songs just come fully formed, usually if I’m really sleep-deprived and driving for whatever reason, it’s like a radio station that my brain picks up.”

Old Believers is the second LP from Cory Chisel & The Wandering Sons. The record, in Cory’s words, is about rebuilding, and there’s a directness that comes through in the songwriting. “Life is a series of creating things, living with the inevitable destruction of those things, and then finding within yourself the ability to create again.”

There’s brutal honesty in the soulful rock of “I’ve Been Accused”. The song suggests that sometimes with personal growth comes unhappiness, but ultimately you’ve got to step up. No pain, no gain. “Never Meant To Love You” is timeless, like something straight out of “The Great American Songbook.” It’s a story of unexpected love, plainly and elegantly told. For “Please Tell Me,” Cory says, “I went to my guitar instead of going to a phone and sent the message that way.” “Seventeen” deals beautifully with the simple truth of realizing that a certain portion of your life has passed.

The album was recorded in Nashville and produced by a great singer-songwriter in his own right, Brendan Benson (The Raconteurs). The two met while making Cory’s first album. They sat down to write a song together, and quickly found they were kindred spirits. “We had just such a common language in the way we attacked music making. Brendan is really great at bringing direction and bringing something out of me that is almost indescribable. He’s also the guy who can get behind the boards and pull it off.”

What Benson pulls off is an album of rich, authentic rock and roll, drawing a straight line between the gospel and the blues of Cory’s youth and classic rock. He’s able to find the right space and color for each song, whether it’s the dangerous and dark mood of “Foxgloves”, the bright Brill Building meets Graham Nash vibe of “Laura”, or the straight up traditional rollin’ and tumblin’ blues of “Over Jordan”.

The sound is filled out by a great cast of Nashville players including Matt Scibilia, Jon Graboff and Brad Pemberton of The Cardinals (Ryan Adams) and The Howlin Brothers. But the thing that truly brings this record to life is Chisel’s long time keyboard player and singing partner Adriel Denae. Their voices fit together magically.  It’s a fitting nod to her contribution that she opens Old Believers with the gorgeous prologue – “This Is How It Goes.”

“I think one of the best things about being a songwriter and about living a life as an artist is that you really don’t get rid of anything, you kind of just like drag it with you the rest of your life, and hopefully you can feel that on this record. We’re still dancing with those same inspired moments. This record is a culmination of all that.”

ALIVE AFTER FIVE: GET A SERVING OF HOT CLUB SANDWICH'S GYPSY JAZZ!

This week’s Alive After Five headliner: Hot Club Sandwich
Go Listen Boise local opener: Dada Sol

ABOUT HOT CLUB SANDWICH

Hot Club Sandwich captures the spirit of hot jazz bands from the early 20th Century. Featuring the instrumentation of guitars, upright bass, mandolin and violin, HCS brings its unique character to the acoustic swing and Gypsy jazz pioneered by Django Reinhardt, Stephane Grappelli and the Quintet of the Hot Club of France.

Springing from Seattle’s thriving Gypsy jazz scene, Hot Club Sandwich cultivates innovation in its own fashion. Adding original compositions, light-hearted vocal numbers, creative arrangements and elements of Latin American string band music, Hot Club Sandwich creates its own voice. The addition of Northwest legend Ray Wood on guitar makes Hot Club Sandwich one of the hottest acoustic bands on the West Coast.

Hot Club Sandwich offers diverse options to educators, adapting programs to suit the needs of varied age groups and abilities. Whether arranging for a string quartet, inspiring a high school band to improvise or simply instilling enthusiasm for music in young children.

ALIVE AFTER FIVE: ACOUSTIC DELTA BLUES WITH THE FIERY RORY BLOCK

This week’s Alive After Five headliner: Rory Block
Go Listen Boise local opener: Sun Blood Stories

ABOUT RORY BLOCK

Heralded as “a living landmark” (Berkeley Express), “a national treasure” (Guitar Extra) and “one of the greatest living acoustic blues artists” (Blues Revue), Rory Block has committed her life and her career to preserving the Delta blues tradition and bringing it to life for 21st century audiences around the world.

A traditionalist and an innovator at the same time, she wields a fiery and haunting guitar and vocal style that redefines the boundaries of acoustic blues and folk. The New York Times declared: “Her playing is perfect, her singing otherworldly as she wrestles with ghosts, shadows and legends.”

Born in Princeton, N.J., Aurora “Rory” Block grew up in a Manhattan family with Bohemian leanings. Her father owned a Greenwich Village sandal shop, where musicians like Bob Dylan, Maria Muldaur and John Sebastian all made occasional appearances. The rich and diverse Village scene was a constant influence on her cultural sensibilities. She was playing guitar by age ten, and by her early teens she was sitting in on the Sunday jam sessions in Washington Square Park.

During these years, her life was touched – and profoundly changed – by personal encounters with some of the earliest and most influential Delta blues masters of the 20th century. She made frequent visits to the Bronx, where she learned her first lessons in blues and gospel music from the Reverend Gary Davis. She swapped stories and guitar licks with seminal bluesman Son House, Robert Johnson’s mentor (“He kept asking, ‘Where did she learn to play like this?’”). She visited Skip James in the hospital after his cancer surgery. She traveled to Washington, D.C., to visit with Mississippi John Hurt and absorb first-hand his technique and his creativity.

By the time she was in high school, her family had splintered in different directions. With nothing holding her down, she left home at 15 with her guitar and a few friends – heading for California on a trip marked by numerous detours and stops in small towns. Along the way, she picked her way through a vast catalog of country blues songs and took her first steps in developing a fingerpicking and slide guitar style that would eventually be her trademark.

She recorded an instructional record called How To Play Blues Guitar in the mid-60s (she was billed as Sunshine Kate on the original recording), but then took a decade off from music to start a family. In the mid- and late ‘70s, she made a few records that ran counter to her inherent blues instincts, and the result was frustration. “Eventually disgusted with trying to accommodate a business which never seemed to accept me or be satisfied with my efforts,” she says, “I gave up totally and went back to the blues.” The result was a record deal with the Boston-based Rounder label, which released her High Heeled Blues in 1981. Rolling Stone referred to the album as “some of the most singular and affecting country blues anyone – man or woman, black or white, old or young – has cut in recent years.”

Back in a groove that felt comfortable and fulfilling, Block threw herself headlong into an ambitious touring schedule that helped hone her technical and vocal skills to a razor’s edge, and at the same time nurture a distinctive voice as a songwriter. She stayed with Rounder for the next two decades, making records that simultaneously indulged her affinity for traditional country blues and served as a platform for her own formidable songwriting talents.

The world finally started taking notice in the early 1990s, and Block scored numerous awards throughout the decade. Her visibility overseas increased dramatically when Best Blues and Originals, fueled by the single “Lovin’ Whiskey,” went gold in parts of Europe. She brought home Blues Music Awards four years in a row – two for Traditional Blues Female Artist of the Year, and two for Best Acoustic Blues Album of the Year. Then in 1997, she won the Blues Music Award for The Lady and Mr. Johnson, a tribute to Robert Johnson, taking home Acoustic Album of the Year.

Today, after more than twenty highly acclaimed releases and five Blues Music Awards, Block is at the absolute height of her creative powers, bringing a world full of life lessons to bear on what she calls “a total celebration of my beloved instrument and best friend, the guitar.” Her newest project, titled “The Mentor Series,” is a growing collection of tribute albums to the blues masters she knew in person, including Blues Walkin’ Like A Man/A Tribute to Son House and Shake Em On Down/A Tribute to Mississippi Fred McDowell. Her latest release is I Belong to the Band: A Tribute to Rev. Gary Davis.