NEW RELEASE OF THE WEEK: BIG BOI’S BACK WITH FIRST PROPER SOLO ALBUM

“Perennially underrated during OutKast’s heyday, Big Boi has seen his profile dip further in the four years since the duo’s last release. Now safely landed on a new label after an extended stay in industry limbo, the Atlanta rapper is back with a stunningly realized solo debut, ‘Sir Lucious Left Foot: The Son of Chico Dusty.’

The pressure to swing for surefire pop hits after all those delays must have been immense. Instead, Big Boi summons the restless risk-taking spirit of OutKast’s most essential work, yielding a richer set than his half of their 2003 double album, ‘Speakerboxxx/The Love Below.’ Ready with a nimble flow no matter the backdrop, he touts his high-flying party life over bombastic opera (”General Patton”), chrome-bright electro (”Shutterbugg”), wiggly funk (”Follow Us”), and anything else that comes his way. Guest verses and hooks from stylistic heirs like Janelle Monáe, T.I., and Gucci Mane enhance the disc’s contemporary cred but never outshine its central star.

OutKast’s Andre 3000, meanwhile, appears only as a producer (the vertebrae-rattling ”You Ain’t No DJ”), reportedly due to further music-biz mishegoss. It’s a regrettable absence. But the fact that this album feels so complete even without any words from his old partner reinforces just what peak form Big Boi is in.” — Simon Vozick-Levinson, Entertainment Weekly

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ALEJANDRO ESCOVEDO AND OTHER NEW CD RECOMMENDATIONS AT RX!

“In a way, I didn’t want Alejandro Escovedo‘s new album, ‘Street Songs of Love,’ to be as great as it is. Escovedo has long been one of those musicians with the sort of dedicated fans — critics and other musicians among them — who take pride in his just-under-the-radar status. … ‘Street Songs of Love’ may well increase the number of music lovers who claim Escovedo as their own. The songwriting, with collaborator Chuck Prophet, may be his best ever, and the guest contributors include Bruce Springsteen and Ian Hunter of Mott the Hoople fame. But what really sets this album above his usual high standard is the way he plays with his backing band, The Sensitive Boys.” — Felix Contreras, NPR

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OTHER NEW CD RECOMMENDATIONS:

Maps & Atlases Perch Patchwork
Scissor Sisters Night Work
Indigo Girls Staring Down the Brilliant Dream
Jackie Greene Till the Light Comes
Steel Train Steel Train
The-Dream Love King
To Rococo Rot Speculation
Villains Just Another Saturday Night
Pegi Young Foul Deeds

RECORD EXCHANGE STAFF PICK: BRION ON ‘BREAKING ATOMS’

Heard of Main Source? If not, well, if you’re into hip-hop, especially its Golden Age, you’ll want to read Brion Rushton‘s Staff Pick of the Week on Main Source’s Breaking Atoms:

Even though I haven’t heard a single beat from it, I considered waxing poetic and telling you how amazing Revolutions Per Minute is, the first album by Reflection Eternal (Talib Kweli and Hi-Tek) in ten years. That’s just how unassailable their chemistry is. But I was sidetracked when all this First-Day-Of-Summer business got me thinking about barbecues, which then got me thinking about (and eventually listening to) “Live at the Barbeque,” a cut from Breaking Atoms, the debut from unheralded hip-hop greats Main Source.

Released in 1991, Breaking Atoms should have brought Main Source the same notoriety granted to contemporaries De La Soul and A Tribe Called Quest. Instead it’s that old, woeful music industry tale: a label that’s sketchily run; a distribution system that’s even sketchier; a promising young group growing quickly disillusioned. But the music. Prime ’70s soul and jazz given seamless sampling treatment one moment, unexpected scratching the next. Wordplay that’s sometimes playful and sometimes angry, but all the time assertive and incisive. Check the aforementioned “Live at the Barbeque,” featuring the lyrical spitfire of a 16 year old Nas — completely unknown and completely brash — for further proof. Back in print and perfect for playing at your summer get-togethers. Like, say, your barbecue.

THE ROOTS ‘HOW I GOT OVER’ AND OTHER NEW CD RECOMMENDATIONS!

How I Got Over, which takes its name from Clara Ward’s gospel classic (made popular by Mahalia Jackson), is the Roots‘ first new release since joining Late Night with Jimmy Fallon for a full time gig as the show’s house band. Grammy Award winners the Roots characterize the songs on How I Got Over as “depicting the everyman’s search for hope in this dispiriting post-hope zeitgeist”. The lead single from the Roots new set is “Dear God 2.0.” The track re-imagines the Monsters of Folk song “Dear God” and features MOF members Yim Yames from My Morning Jacket, Conor Oberst and Mike Mogis from Bright Eyes and M. Ward.

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OTHER NEW CD RECOMMENDATIONS:

Chemical Brothers Further
Stars Five Ghosts
Sia We Are Born
Health Disco2
Robert Randolph & The Family Band We Walk This Road
Kele Boxer
Macy Gray Sell Out
Steve Mason Boys Outside
Cyndi Lauper Memphis Blues
Kode9 DJ Kicks
Fol Chen Part II: The New December
Herbie Hancock Imagine Project
Trash Talk Eyes & Nines
Paul Thorn Pimps & Preachers
Authority Zero Stories of Survival

FOALS ‘TOTAL LIFE FOREVER’ AND OTHER NEW CD RELEASES AT THE RX!

Antidotes, the acclaimed debut album by UK quintet Foals, won them attention, and the opportunity to evolve in a space of their own. Two years on from that impressive introduction, Total Life Forever is the sound of a band settling into and surveying the decay of old protocols. Written primarily in the basement of their Oxford HQ and recorded in Gothenburg, Total Life Forever is an album as persuasive emotionally as Antidotes was physically. The album has been described by the band members as sounding like tropical prog and like the dream of an eagle dying. The band have described the album as being a lot less funk than they had originally planned.

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OTHER NEW CD RECOMMENDATIONS:

Devo Something for Everybody
Gaslight Anthem American Slang
Hurricane Bells Tonight Is the Ghost
We Are Scientists Barbara
Foxy Shazam Foxy Shazam
Steve Miller Band Bingo!
Punch Brothers Antifogmatic
Cowboy Junkies Renmin Park
Drake Thank Me Later
Floater Stone By Stone