PETER, BJORN AND JOHN’S ‘GIMME SOME’ AND OTHER NEW RECORD EXCHANGE CD RECOMMENDATIONS!

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Is it possible for something to be too much bloody fun? ‘Gimme Some’, sixth album from Swedish indie pop types Peter, Bjorn And John, is absolutely superb; sunshine and a hundred beach parties stuffed into thirty minutes, sprightly and joyous, cool, confident and glossy. Bass thrums through ‘Eyes’ and ‘I Know You Don’t Love Me’, an anthem of Joy Division-esque stature; ‘Second Chance’ is the song: you know, the song that everyone will fall in love with, the song of your summer. It may be a little hasty to admit this soon, but this is a contender for 2011’s best. –CM

OTHER NEW CD RECOMMENDATIONS:

Radiohead, King Of Limbs
Los Lonely Boys, Rockpango
Mountain Goats, All Eternals Deck
Amon Amarth, Surtur Rising
Between The Buried & Me, Best Of Between The Buried & Me
Biffy Clyro, Only Revolutions
Cavalera Conspiracy, Blunt Force Trauma
Ladytron, Best Of 00-10
E-40, Revenue Retrievin’: Grave
E-40, Revenue Retrievin’: Overt
Snoop Dogg, Doggumentary

Britney Spears, Femme Fatal
Within Temptation, Unforgiving
AND MORE!

NEW RELEASE OF THE WEEK: THE STROKES ‘ANGLES,’ NOW AVAILABLE ON CD AND VINYL AT THE RX!

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For The Strokes, Is This It is more than just an album title. “Is this it?” has also been a taunt used against the band throughout its entire career. That likely won’t change with Angles, the first Strokes album in five years. Stripped to the barest essentials—droning vocals, springy guitars, simple rhythms, and unbeatable hooks—Angles is far from being the sort of grandly ambitious statement that’s expected after several years of deliberation. Which means The Strokes, at least, still recognize their strengths.

Angles finds the band at times sounding very much like the Strokes of old, and other times, experimenting with its signature sound in familiar Strokes ways. For the former, look no further than “Under Cover Of Darkness,” a rollicking throwback to the leather-jacketed urban cool of Is This It by way ofSteely Dab’s “Bodhisattva.” Or the snaky album opener “Machu Picchu,” where the intricately strummed riffs of guitarists Albert Hammond, Jr. and Nick Valensi interlock and explode over a faux-reggae shuffle with the precision of military movements. Then there’s “Games,” a synth-pop sparkler that initially sounds like an outtake fromJulian Casablancas’ 2009 solo effort Phrazes For The Young. But given Casablancas’ limited role in the making of Angles—he recorded vocal tracks remotely, as the other Strokes worked on the music in collaboration—songs like “Games” and “Taken For A Fool” might actually be a nod to Phoenix, the Strokes-inspired Frenchmen who became the new masters of marrying wiry guitars to airy keyboards during their heroes’ prolonged absence.

RICHARDS ASHCROFT’S ‘UNITED NATIONS OF SOUND’ AND OTHER NEW RX CD RECOMMENDATIONS!

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Richard Ashcroft is known for a lot of things: fronting The Verve, writing some of the most unifying, lighters-aloft anthems of the 90s, hanging out with Oasis (who wrote Cast No Shadow about him), pinching samples from The Rolling Stones and, well, being a bit mad. He did, remember, once tell a journalist, in all seriousness, that he could fly.

What he’s not known for, though, is operating outside of his stylistic comfort zone. His latest project The United Nations of Sound, however, is certainly… different. Recruiting the formidable talents of revered session players Steve Wyreman (guitar) Paul DW Wright (bass) and drummer Derrick Wright, Ashcroft then decided to call up a producer whose recent work he admired – so far, so normal. But that man happened to be No ID, a hip hop/RnB aficionado dubbed “the Godfather of Chicago hip hop”.

The result of this unlikely collaboration is 12 tracks that will probably shock hardcore Verve fans – half of them almost certainly will. It sounds like the most collaborative thing the singer has done in years: Wyreman’s freewheeling, frequent solos (the first two tracks, Are You Ready and Born Again, both end in a hail of fretwork) often prove as bombastic as the vocal, but it’s No ID’s involvement – as you might expect – that yields the seachange.

Three tracks in – is that a hip hop beat? Yes, it is. Does it suit the voice of a man born in Wigan? Oddly enough, yes it does. This Thing Called Life even has him rapping over a full-on, banging RnB backdrop, supported by a choir. It should all be utterly preposterous, but the unshakeable self-belief on display, and the accomplished beats No ID lays down, ensures Ashcroft somehow gets away with it. –BBC

OTHER NEW CD RECOMMENDATIONS:

The Strokes, Angles
Kesha, I Am The Dance Commander
Yellowcard, When You’re Through Thinking Say Yes
Agnostic Front, My Life My Way
Kern Ann, 101
Art Of Dying, Vices & Virtues
Chris Brown, F.A.M.E.
Cunninlynguists, Oneirology
Pet Shop Boys, Most Incredible Thing
William Fitsimmons, Gold In The Shadow
AND MANY MORE!

 

NEW RELEASE OF THE WEEK: RISE AGAINST’S ‘ENDGAME” ON CD & VINYL!

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Given the amount of truly memorable, treasured songs they’ve written in their career, it almost seems odd that this is only Rise Against’s sixth album. They’re very much ensconced as venerable veterans. Having notched three Gold-certified albums in the US since leaving Fat Wreck for a major label, the Chicago quartet have never compromised in terms of lyrical or musical style and integrity. They’ve impressively evolved as recording artists and songwriters in this time, creating records that appeal to the masses but never pander to a trite concept or formula of what ‘should’ be popular. Put simply: they break the template of achieving mainstream success as a punk band. Having set such standards, it’s perhaps unsurprising that ‘Endgame’ is a brilliant record. It’s an album in which frontman Tim McIlrath delivers some of his most compelling lyrical work. It’s an album drenched in hugely anthemic, melodic movements that could bring stadium crowds to a frenzy while never deviating from a punk blueprint. Opening with ‘Architects’, a galloping punk rock song with a typically catchy chorus and rabble-rousing middle eight about retaining youthful idealism, McIlrath sings the line: “Do you remember when you were young, how you wanted to set the world on fire?”, much like Against Me!’s ‘Teenage Anarchist’ but without the ironic resignation to the world’s realities as one grows older. It’s a brilliant statement of intent for things to come from a band who have consistently balanced an ethical world-view with an awareness (and concern) about the shortcomings of politics in their nation and a proud empathy for their country and its people. –RS


TRAVIS BARKER’S “GIVE THE DRUMMER SOME” AND OTHER NEW RECORD EXCHANGE CD RECOMMENDATIONS!

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Since Blink 182’s seemingly done making music for the time being, it’s up to Travis Barker to keep the torch going, and to be honest, he’s really outdone himself with his solo LP, Give The Drummer Some. Continuing the forward movement with his own unique brand of Rock and Rap Fusion – powered by his high-octane drum skills – Travis Barker’s collaborated with several artists in order to bring you a compilation of music that blends the best of both worlds when it comes to those genres of music.

It is his album, after all…

Travis Barker has his hands and his personal sound stamped throughout each song present on this LP. From the heavy drum sounds, to the insane drum isolations placed before or after select songs, to the drum breakdowns present in the tracks, there’s no doubt left about how this album idea would mesh. Without speaking, T.B’s presence is felt through and through.

OTHER NEW CD RECOMMENDATIONS:

Rise Against, Endgame
Black Joe Lewis & The Honeybears, Scandalous
Steve Martin, Rare Bird Alert
Dodos, No Color
Naked & Famous, Passive Me Aggressive You
Noah & The Whale, Last Night On Earth
Rango, Soundtrack
Damnwells, No One Listens To The Band Anymore
Funeral For A Friend, Welcome To Armageddon
Joy Formidable, Big Roar
J Mascis, Several Shades Of Why
Oh Land, Oh Land