JESSE MALIN AND THE ST. MARKS SOCIAL LIVE AT THE RECORD EXCHANGE SATURDAY, SEPT. 25 (4 P.M.); IT’S A FULL-BAND ELECTRIC PERFORMANCE!

Jesse Malin and the St. Marks Social will perform live (full-band electric!) at The Record Exchange at 4 p.m. Saturday, Sept. 25. As always, this Record Exchange in-store event is free and all ages.

After three critically acclaimed solo records, dozens of world tours and TV appearances, Jesse Malin found himself back in New York City questioning his next move. From his days fronting seminal hardcore trio Heart Attack and glam punks D Generation, then seven years on the road as a solo artist, Malin had cultivated a devout fan base. He’d shared stages with everyone from The White Stripes to Counting Crows, The Hold Steady to Lucinda Williams, but felt like he was losing the plot.

Malin contemplated going back to school, becoming a standup comedian or a Las Vegas wedding DJ, and even started work on a documentary film about DC hardcore Rastafarians The Bad Brains. For over a year he didn’t play or record. When asked by a Hollywood screenwriter to pen songs for a film about author J.D. Salinger, Malin — a fan of Catcher in the Rye and other Salinger works — traveled to Cornish, N.H. hoping to speak to the famous recluse.

In typical punk-rock fashion, instead of getting the interview, Malin landed at the local precinct for trespassing and was released only after the cops watched his video duet with Bruce Springsteen for “Broken Radio” on YouTube and were convinced he was just a writer doing research.  Though he never met Salinger (who passed away this past January), Malin made the most of the experience by writing “The Archer” and “Lonely at Heart”—two songs that would make him want to work again and become the basis for his new album.

Over the summer of 2009, in the basement of Avenue A watering hole Hi-Fi, the songs came forth.  Malin, with impresario Don DiLego, drummer Randy Schrager, guitarist Matt Hogan, and bassist/DJ Tommy USA, worked with his newly formed band to bash out an album’s worth of gritty anthems, and The St. Marks Social was born. A solid band, but one with an open door to Malin’s community of musician friends — longtime partner in crime Ryan Adams, pop singer Mandy Moore, fellow label mate Brian Fallon, and former bandmates from D Generation Howie Pyro and Danny Sage — the Social is a group effort to keep the P.M.A. Says Malin, “To me, rock ‘n’ roll is an exorcism that begins every night when the sun goes down, the music starts playing, and the spirits start flowing. It helps to say things in public over dirty microphones. It’s a way to spit out the poison.”

When Jesse met producer Ted Hutt (Lucero, Flogging Molly, The Gaslight Anthem) one drunken night at a local bar, their talk of making a record fast, loose and raw was the beginning of Hutt’s quest to create a record that would encompass Malin’s roots and evolution — from hardcore thrasher to punk/folk singer-songwriter. The album’s basic tracks were laid in three days at Greenpoint, Brooklyn’s Mission Studios, and the rest at Sonic Youth’s Think Tank Studios in Hoboken, N.J. Filled with the characters Malin does best — messengers and misanthropes, hipsters and hypocrites — and as always, his constant themes of redemption, nightlife, heartbreak and survival, Love it to Life — a sentiment taken from a ticket stub Joe Strummer autographed for Jesse — was built with desperate optimism that shouts in gang vocals that no matter how bad it gets, you’re never alone.

RX 33 1/3 ANNIVERSARY: 8 DAYS OF 33% OFF SALES FROM SEPTEMBER 22-29!

The Record Exchange has a monumental birthday this year, and Idaho’s largest independent record store is celebrating our 33 1/3 Anniversary all month long with in-store concerts, giveaways and eight days of special 33% off sales.

But first things first: Why 33 1/3? If you’re into records, you already know the answer — 33 1/3 is the speed at which a 12-inch vinyl record typically plays. But the number also is relevant to the store’s history, as we first opened our doors in 1977 and have remained a Downtown Boise cultural hub ever since.

Purchase a Record Exchange 33 1/3 Anniversary commemorative T-shirt (pictured above) designed by our contest winner Angelina Briggs! (We liked her design so much we commissioned her to create our 33 1/3 Anniversary poster.)

Tune in to 94.9 FM The River for special Record Exchange 33 1/3 Anniversary programming all week long!

The 33 1/3 Anniversary celebration reaches its climax Sept. 22-29, when The Record Exchange will offer customers daily giveaways and a special 33% off sale* for eight straight days:

Wednesday, Sept. 22: 33% off anything in the store
Thursday, Sept. 23: 33% off used CDs
Friday, Sept. 24: 33% off used DVD/Blu-ray
Saturday, Sept. 25: 33% off used vinyl under $50
Sunday, Sept. 26: 33% off gift items in the RX Gift Shop
Monday, Sept. 27: 33% off apparel
Tuesday, Sept. 28: 33% off music accessories (including turntables)
Wednesday, Sept. 29: 33% off new CDs
* Discount will be honored on up to three items each day; excludes sale and clearance.

33 1/3 ANNIVERSARY IN-STORE CONCERTS AND EVENTS:

The Reverend Peyton’s Big Damn Band, Wednesday, Sept. 22 (6 p.m.)
Jesse Malin and the St. Marks Social, Saturday, Sept. 25 (4 p.m.)
Alive After Five Record Exchange Party featuring BeauSoleil avec Michael Doucet, Wednesday, Sept. 29 (5 p.m.), The Grove Plaza
Ned Evett and Dan Costello, Sunday, Oct. 3 (4 p.m.)
The Devil Makes Three, Wednesday, Oct. 6 (6 p.m.)
Blitzen Trapper, Wednesday, Oct. 20 (6 p.m.)

THE REVEREND PEYTON’S BIG DAMN BAND LIVE AT THE RECORD EXCHANGE

The Reverend Peyton’s Big Damn Band will perform live at The Record Exchange at 6 p.m. Wednesday, Sept. 22. As always, this Record Exchange in-store concert is free and all ages. We’re giving away a pair of tickets to the Promenade Music Festival during the in-store!

There aren’t a lot of Warped Tour vets who can claim proficiency in the use of washboards, bottleneck slides and five-gallon buckets. Most didn’t spend their teens playing along to Charlie Patton and Bukka White albums. And just about none are fronted by a commissioned member of the Honorary Order of Kentucky Colonels.

But the Reverend Peyton’s Big Damn Band, who appeared on the 2009 and 2010 Warped Tours, are all that and more. With wild sing-a-longs and flaming washboards, their live shows have been converting skeptics left and right.

With the release of The Wages, the soulful, swinging country-blues trio proves they’re more than just a world class live band. Their second album for SideOneDummy Records, it was produced by Paul Mahern (Zero Boys, John Mellencamp) and recorded in the band’s Big Damn Tradition: live in the studio with no overdubs on honest-to-goodness analog tape.

Appropriate to our times, The Wages is thematically rooted in the blues tradition of hard-bitten reality matched with enduring optimism.

There are songs that deal with crystal meth abuse and the disappearance of the American family farm (“In a Holler Over There”), the cost of living (“Everything’s Raising”), unrequited love (“Sure Feels Like Rain”) and, of course, murder (“Lick Creek Road”).

But the Reverend’s brood also celebrates rural life on “Born Bred Corn Fed,” serves up danceable sing-a-longs like “Clap Your Hands,” and offers renewed hope for hard times in “Just Getting By.”

The Big Damn Band is very much a family affair, with the good reverend on finger-style resonator guitar and lead vocals, his wife “Washboard” Breezy Peyton on washboard and vocals, and distant cousin Aaron “Cuz” Persinger on drums and bucket. The band’s home base is deep in the hills of Southern Indiana’s Brown County, which boasts a population of 14,957. (Or 14,954 when the band’s out on the road playing close to 250 gigs a year, including appearances at the Austin City Limits festival and tours with Flogging Molly, Derek Trucks and Clutch.)

“I grew up in the country, and rural life and rural culture has shaped me and my music,” says Reverend Peyton, who really is a Kentucky Colonel, just like Elvis Presley, Roy Rogers and Tiger Woods. “I have been playing music since I was a little kid. I am pretty sure we are on to something now.”

That combination of authenticity and originality is evident throughout The Wages, driven by the trio’s big damn vocals and melodies, gutbucket guitar playing, and foot-stomping rhythms, all in service of songs that are honest and moving, devoid of irony or artifice.

“We may be few in numbers, but we sound big,” says Washboard Breezy.  “And I think we stand for something big, too. Even if sometimes it’s just that it is okay to be a regular person.”

ATMOSPHERE MEET AND GREET SUNDAY, SEPT. 19: EXCLUSIVE EP SALE, TICKET GIVEAWAY AND AUTOGRAPH SESSION!

Atmosphere will visit The Record Exchange for a meet and greet at 4 p.m. Sunday, Sept. 19. As always, this Record Exchange in-store event is free and all-ages!

The underground hip-hop heavyweights, in town for a Sept. 20 show at the Knitting Factory, will meet with fans and sign autographs. You’ll also have an exclusive opportunity to purchase the band’s tour-only EP, To All My Friends: Blood Makes the Blade Holy, featuring all-new material recorded in early 2010!

The Record Exchange and Knitting Factory also will be giving away a pair of tickets to the show and offering a wicked awesome Rhymesayers tote bag (filled with stickers and patches) to the first 10 people to purchase tickets at the meet and greet. To get the tote, give your helpful Record Exchange clerk the password “friends” whilst purchasing your ticket.

Twelve years after becoming the first hip-hop act to put the Twin Cities on the map, Atmosphere has grown into one of the most accomplished MC/producer duos around. Between Slug and Ant, they’ve released seven albums, 13 Sad Clown tour albums and various side-projects like Felt — amounting in well over a million units sold. And along the way have performed to sold-out crowds everywhere from modest sized venues in their hometown to colossal festivals in Japan.

Since releasing their 1997 debut, Overcast!, Ant’s ASR-born melodic beats and Slug’s open book and observational style of rapping continues to evolve into hip-hop that’s more honest — more textured. And the praise for these Rhymesayers pioneers hasn’t stopped flowing in. 

As Rolling Stone once gushed about Slug, “This Minneapolis indie rap hero has potential to spare, delivering taut, complex rhyme narratives with everyman earnestness.” Or as the Village Voice once wrote of Ant, “His dusty grooves are hooky and R&B-informed, and even when they back up Slug’s most maniacally depressed rhymes, they never feel heavy-handed.”

While Slug’s name has become synonymous with introspective rap, the new revelatory recording process with Ant inspired the MC to open up his subject matter well beyond his own life. In fact, their latest release When Life Gives You Lemons… is entirely based around fictional narratives that deal with societal issues — many that revolve around the theme of parenthood. To accompany the release, the album was issued with a limited 40-page hard cover book that includes a children’s story by Slug in addition to all of the lyrics. And this was done in part to celebrate Slug’s growth as a writer. 

”This time around I really did force myself to try and write these stories as if I was writing a book or short stories and just trying to figure out how to put them into music,” says Slug.

WIN A PAIR OF JJ GREY TICKETS!

The first five people to send an email with the subject “JJ Grey tickets” HERE this morning win a pair of tickets to JJ Grey and Mofro’s Wednesday night show at the Knitting Factory! Please include your first and last name in the body of the email.

Also, in case you’ve been living under a rock for the past two months, JJ Grey will visit The Record Exchange at 6:30 p.m. Wednesday for a special acoustic set before his full-band show later that night. We’re excited. You should be, too.