ALIVE AFTER FIVE WEDNESDAY, JULY 22: HILLSTOMP AND GO LISTEN BOISE LOCAL OPENER URQUIDES

HILLSTOMP

This week’s Alive After Five Headliner: Hillstomp
Go Listen Boise’s Local Opener: Urquides

ABOUT HILLSTOMP

Portland junkbox blues duo Hillstomp is infamous for digging through the dumps and forgotten backwoods of American music, recycling traditional elements into a refreshing and distinctive brand of do-it-yourself hill country blues stomp. North Mississippi trance blues, a bit of Appalachia, and a dash of punkabilly come clanging and tumbling from assorted buckets, cans and BBQ lids, all drenched in rambunctious slide guitar. Somehow it works. Hillstomp’s memorable live performances tap into a magic that cannot be rehearsed, converting outlaws and traditionalists alike from skeptics into preachers.

94.9 FM THE RIVER PRESENTS KALEO LIVE AT THE RECORD EXCHANGE MONDAY, AUG. 3 – ONLY SHOW IN TOWN!

kaleo123494.9 FM The River presents Kaleo live at The Record Exchange (1105 W. Idaho St. in Downtown Boise) at 6 p.m. Monday, Aug. 3. This is Kaleo’s only show in town! As always, this Record Exchange in-store event is free and all ages.

ABOUT KALEO

kaleo_alltheprettygirlsFirmly a phenomenon in their home country of Iceland, the four-piece band Kaleo is set to descend upon foreign shores in 2015, bringing their gorgeous blend of folk, blues, country, and rock to a wider mainstream audience in America. Their isolated heritage inspires a unique take on familiar sonic elements, resulting in diversity and freedom on each and every breathtaking track.

Best friends since attending elementary school in the small town of Mosfellsbaer outside of Reykjavik, bandleader JJ Juliusson, drummer David Antonsson Crivello, and bassist Danny Jones began playing together at the age of 17. Honing their skills, they played countless shows around the nation’s capital for a few years before adding guitarist Rubin Pollock to the mix in 2012. They named the band Kaleo, which means “the sound” in Hawaiian, and started their career in earnest with a handful of well-received shows at the 2012 Iceland Airwaves music festival.

They recorded their first pair of original songs in early 2013, the fiery “Rock N Roller” and laid-back, bluesy “Pour Sugar On Me,” which earned Kaleo some radio airplay and press in Iceland. Then, that spring, their cover of the traditional Icelandic ballad “Vor í vaglaskógi” during a live radio show was videotaped and posted to YouTube, where it quickly went viral. The band recorded a studio version of the song in June, which went straight to Number One in virtually every radio station in the country. “It’s a different kind of cover, more dramatic and the tempo is taken down,” says JJ. The buzz for Kaleo had begun.

The band signed to Iceland’s largest record label, Sena, in the fall of 2013 and recorded their full-length debut, Kaleo, in just six short weeks. Five singles would reach Number One and the album would go Gold, receiving high praise and sending the band to shows and festivals in Europe over the next year, including an appearance on the biggest stage in their home country, Culture Night, where they played to 100,000 people and reached 90 percent of Iceland’s population in broadcast. Then, in the spring of 2014, Kaleo recorded the lush, introspective song “All the Pretty Girls” and in one night their destiny to outgrow their small, island nation was cemented.

“It’s a very delicate song. It seemed to speak to a lot of people,” says JJ. “From there everything started to happen. We got contacted from other places: managers, labels, publishers—they all went crazy over one night.” Drawn to Kaleo’s multi-layered dynamics, their ability to play different genres with equal skill, the vocals and mood reminiscent of everything from Bon Iver and Iron & Wine to Coldplay and David Gray, and wise-beyond-their-years songwriting, the world came calling.

Now, signed to Atlantic Records in the US, Kaleo has moved to Austin, Texas, and has begun touring nationwide. Get ready for the sound.

AMUMA SAYS NO ALBUM RELEASE PARTY THURSDAY, JULY 23 (7PM)

ASN StairsAmuma Says No will perform a special Album Release Party concert at The Record Exchange (1105 W. Idaho St., Downtown Boise) at 7 p.m. Thursday, July 23. As always, this Record Exchange in-store performance is free and all ages. Amuma Says No’s new album “Gatz and Berakatz” will be available for purchase at the event!

ABOUT AMUMA SAYS NO AND ‘GATZ AND BERAKATZ’

Amuma Says No represents the heart and soul of Basque music in America today. The band brings together the best of traditional trikitixa–a duo of accordion and tambourine–with a modern rhythm section and songs sung in euskara. Based in Boise, home of one the largest communities of Basques outside their home provinces along the French and Spanish Pyrenees, Amuma Says No’s sound is energetic, contemporary and unique, like the Basques.

Jill Aldape, Dan Ansotegui, Sean Uranga Aucutt and Spencer Basterrechea Martin (Now the Director of Athletic Bands at the University of Idaho), the founders, are second and third generation Amerikanuak. They grew up dancing with the Oinkari Basque Dancers and listening to Basque artists like Jimmy Jausoro and Domingo Ansotegui. Joined by Rod Wray, Micah Deffries and David Gluck, Amuma Says Noc arries on this timeless traditional repertory by presenting it with a touch of twenty-first century rock, pop and jazz.

Jaialdi, the international Basque festival held in Boise every five years being this year, inspired Amuma Says No to release their third album, “Gatz and Berakatz.” With the help of Steve Fulton at Audio Lab, Amuma Says No started recording in the spring of 2015. This recording is a little different from the previous two, which were primarily dance songs. With the addition of acoustic guitar, organ, violin and even the traditional Basque txalaparta, “Gatz and Berakatz” captures some of the subtle elements of the ensemble.

Amuma (for whom the band is named) used to describe people or events or food that lacked spark or personality with the expression “ez gatz ez berakatz.” It literally means no salt nor garlic and other similar idioms might include vim and vigor or blood in the veins. Her eyes would twinkle when she saw, heard or talked about something or someone that had moxie … especially if it raised a few eyebrows; it made life more interesting. In this album, Amuma Says No hopes to bring vitality, enthusiasm, strength risk, and the flavor of gatz and berakatz through music.

ALIVE AFTER FIVE WEDNESDAY, JULY 22: SCARS ON 45 AND GO LISTEN BOISE LOCAL OPENER TUNDRA BROTHER

Scars-on-45-Main-Pub-3-Steve-Gullick

This week’s Alive After Five Headliner: Scars on 45
Go Listen Boise’s Local Opener: Tundra Brother

ABOUT THE SCARS ON 45

Scars On 45 released their self-titled debut in 2012, which landed at No. 4 on the Billboard Heatseekers Chart. Already a favorite among film and TV music supervisors, the band’s gorgeous melodies, driving instrumentation and boy/girl harmonies caught the attention of VH1, which chose them as a coveted You Oughta Know artist. They made their national TV debut on The Tonight Show With Jay Leno and received media support from the likes of USA Today, People, Entertainment Weekly, Paste, Spin, Billboard and more.

RYAN BINGHAM IN-STORE WEDNESDAY, JULY 22 (2 PM); VIP WRISTBAND WITH ‘FEAR AND SATURDAY NIGHT’ CD/LP!

RB_Image1Ryan Bingham will perform live at The Record Exchange (1105 W. Idaho St.) at 2 p.m. Wednesday, July 22. As always, this Record Exchange in-store event is free and all ages. Bingham is performing at the Egyptian Theatre later that evening (show is SOLD OUT).

Want guaranteed admission to the event? Purchase Fear and Saturday Night on CD or vinyl and we’ll give you a VIP wristband guaranteeing admission and access to our reserved viewing area!

ABOUT RYAN BINGHAM

ryan-bingham-fear-and-saturday-nightRecorded mostly live with a brand new backing band, Fear and Saturday Night shows Ryan Bingham facing down his past with a poetic grace throughout. The lead single “Radio” is about coping with a darkness that doesn’t want to let go, searching for a safe place to make sense of your life and the strength to stay on the right track through it all. Some of the most affecting moments on the album are in the harmonica-driven wistful waltz “Broken Heart Tattoos,” a song written to an unborn child, and in the title track, when he sings, “I don’t fear nothin’ except for myself / So I’m gonna go out and raise me some hell.”

“Certain things aren’t going to change,” he explains of the song. “You can’t run away or hide from the past. You have to live in it and deal with stuff and find your own way to overcome.”

Those hard-learned lessons, through both good times and bad, helped make Bingham the man he is today. Fear and Saturday Night is the most authentic, personal and deeply moving portrait of that man we’ve heard yet.