RECORD EXCHANGE TOP 20 SELLERS (WEEK ENDING APRIL 22)

1. Benchwarmers, Finn Riggins (Record Store Day exclusive)
2. Slipstream, Bonnie Raitt
3. Boys & Girls, The Alabama Shakes
4. Live at Amoeba, The Civil Wars (Record Store Day exclusive)
5. Making Mirrors, Gotye
6. Hand Springs/Red Death at 6.14, The White Stripes (Record Store Day exclusive)
7. Cemetery Skyline Rose, Bill Coffey
8. Transverse Temporal Gyrus, Animal Collective (Record Store Day exclusive)
9. Port of Morrow, The Shins
10. Live from the Legendary Sun Studio, Grace Potter and the Nocturnals (Record Store Day exclusive)
11. My Head is An Animal, Of Monsters and Men
12. Walk Among Us, Misfits (Record Store Day exclusive)
13. Record Store Day Vinyl Picture Disc, Atmosphere and the Uncluded (Record Store Day exclusive)
14. Endgame, Rise Against
15. Mirror, M83 (Record Store Day exclusive)
16. A Commotion/Black Tongue, Mastodon/Feist (Record Store Day exclusive)
17. A Spoonful Weighs a Ton, The Flaming Lips/Mastodon (Record Store Day exclusive)
18. Stars & Satellites, Trampled By Turtles
19. Love is a Four Letter Word, Jason Mraz
20. Junta, Phish (Record Store Day exclusive)

RX IS CLOSING EARLY AT 7 FOR STIGERS CONCERT (WRISTBANDS AVAILABLE), BUT YOU CAN STILL SHOP FOR RSD EXCLUSIVES IN GIFT SHOP TONIGHT!

The Record Exchange is closing early (7 p.m.) tonight for the Curtis Stigers Record Store Day Album Release Concert, BUT the Gift Shop will remain open for two reasons:

1. Wristbands to the Stigers concert are still available with purchase of Let’s Go Out Tonight ($16.99). The CDs and wristbands will be available in the Gift Shop (while supplies last) up until showtime (8 p.m.).

2. Record Store Day exclusives will be available for sale in the Gift Shop during the concert. We’re moving several of the exclusives over to the Gift Shop, and we’ll have a staffer running the floor to grab other exclusives from the closed side of the store. So, if you don’t want to come to the concert but still want to shop, come on in. If you don’t see a title you’re looking for, just ask a clerk and we’ll go grab it for you!

CURTIS STIGERS RECORD STORE DAY ALBUM RELEASE CONCERT APRIL 21 AT THE RX; WRISTBANDS AVAILABLE NOW!

Curtis Stigers will perform a special Record Store Day album release concert at 8 p.m. Saturday, April 21, at The Record Exchange, 1105 W. Idaho St. in Downtown Boise. (Note: The Record Exchange will close at 7 p.m. to set up for the event.)

Wristbands guaranteeing admission to the concert are available now at The Record Exchange with preorders of Stigers’ new album Let’s Go Out Tonight (one wristband per CD preorder). Let’s Go Out Tonight will be available on Record Store Day at The Record Exchange, three days before its official U.S. release on Tuesday, April 24.

ABOUT LET’S GO OUT TONIGHT

An epic work: 5 Stars … Let’s Go Out Tonight is perhaps the most impressive genre crossing release for the year. — Critical Jazz

His eye for classy material is as sharp as ever … Stigers remains one of the most thoughtful and uncategorisable of artists. — The Sunday Times

… Nocturnal, jazzy but modern. Spare treatments of Dylan’s “Things Have Changed” and “Into Temptation” provide other highlights. — The Mail

On April 24, 2012, singer/saxophonist Curtis Stigers will release Let’s Go Out Tonight, his seventh album on Concord Music Group. A departure from Stigers’ previous projects, Let’s Go Out Tonight sidesteps the Great American Songbook completely.  Rather, it includes a vibrant cross-section of pop, folk, country and soul songs from songwriters ranging from Bob Dylan, Eddie Floyd and Richard Thompson to Jeff Tweedy, Hayes Carll and David Poe, whose “Everyone Loves Lovers” was crafted expressly for Stigers.

Though jazz has been integral to Curtis Stigers’ musical vocabulary throughout his career, his transformation from rock/pop headliner (of the sort that filled stadiums and made Leno and Letterman appearances) to jazz vocalist is barely a decade old, dating from the release of his debut Concord album Baby Plays Around in 2001. Stigers is often placed at the forefront of post-millennial jazz singers, but isn’t a pure jazz artist in the tradition of, say, Mark Murphy or Mel Tormé. Nor does he want to be. Critical to his unique vocal style and his inimitable interpretative skills is his ability to draw upon his checkered professional past and his wide-ranging musical tastes to synthesize myriad influences, coloring tracks with various shades of pop, country, folk, blues and classic R&B. Stigers’ genre-blurring instincts have never been never been more defined than on his latest album, Let’s Go Out Tonight.

Stigers also describes the new project as “probably the most autobiographical album I’ve ever made. It hits so many places I’ve been and things I’ve gone through and am currently going through.” Ironically, given its deeply personal nature, Let’s Go Out Tonight is the first album since 2003’s You Inspire Me that includes no original Stigers songs.

While shaping the playlist with producer Larry Klein, Stigers says he “played him a few songs I’d written, but I hadn’t been writing that much. It’s been a tumultuous year, and I haven’t been able to focus on songwriting. He didn’t think the ones I played fit in with what we were going for, and I had to agree with him.” Instead, Stigers and Klein each drew up long lists of song possibilities. “Then,” Stigers explains, “I started flying down to L.A. [from Boise, his birthplace, and once again his hometown, after many years in New York] every couple of weeks and we’d play songs for each other. He came up with a lot of songs, but I came up with a lot, too; and we ended up using more of my suggestions, which I’m very happy about. They’re songs I’ve had in my back pocket for years and have always wanted to record. So, in a way, it feels like I wrote the album anyway.”

The set opens with Stigers’ rendition of Bob Dylan’s “Things Have Changed,” Dylan’s Oscar-winning song from the film Wonder Boys. From the Eddie Floyd canon, Stigers selected the relatively obscure “Oh How It Rained,” originally recorded by Floyd in 1971.  “You Are Not Alone” was written by Wilco’s Jeff Tweedy for Mavis Staples. Another standout is the Neil Finn/Crowded House song, “Into Temptation,” about which Stigers says, “Give me a song about sex any day of the week.”

The David Poe song, “Everyone Loves Lovers,” on which Poe sings harmony, is, says Stigers, “A song I wish I’d written. Instead, David wrote it for me to sing, after hearing me with my band at The Blue Note in New York. It’s sweet and romantic, until you get to the part where it kicks you in the stomach. I love that brutal twist. We’ve all been there. No matter how perfect a relationship seems, there’s always a place down the road where it’s going to get rocky.” Another highlight is Steve Earle’s harrowing “Goodbye,” of which Stigers says, “We all spend periods of our lives numbing ourselves to block out what’s going on around us. I spent an unhealthy amount of my adult life doing that in different ways. It was a little scary how easily it fit.”

Stigers closes with the title track, The Blue Nile’s “Let’s Go Out Tonight.” “I’ve been a fan of The Blue Nile since their first album. Everything they’ve recorded is so understated and haunting. Basically, this song is about that unfortunate place that a relationship gets to, where you know everything is broken but all you want to do is pretend that it’s not. I spent years doing that. It’s about the saddest thing I can think of, and every time I hear it, I get choked up.”

FINN RIGGINS RECORD STORE DAY KICKOFF/EP RELEASE PARTY APRIL 20!

The Record Exchange and Go Listen Boise present the Finn Riggins Record Store Day Kickoff/EP Release Party at 8 p.m. Friday, April 20, at the Linen Building, 1402 W. Grove St. in Downtown Boise’s Linen District. $7 at the door. Pontiak (Thrill Jockey), Red Hands Black Feet open. All ages, full bar, Pie Hole pizza.

Boise’s Finn Riggins is releasing the new Benchwarmers EP on 10-inch red vinyl for Record Store Day via Tender Loving Empire. Benchwarmers finds the band in top form, making experimental rock jams you can dance to. NYLON premiered the title track in March, saying “this song is so good, it makes us totally reconsider the benchwarmer bad rap.”

BENCHWARMERS TRACK LIST:
1. Benchwarmers (listen/download HERE)
2. Plural
3. Big News
4. Arrow
5. Parkour

Over the past several years, Finn Riggins has been making a name for itself around the Western and greater United States as road warriors from the oft-overlooked state of Idaho. Since the release of their debut album on Portland’s beloved mom-and-pop label Tender Loving Empire in 2007, the band has averaged close to 200 shows a year in 43 states, including playing support for fellow Idahoans Built To Spill on three separate tours.

The collaborative brainchild of three music school graduates from the University of Idaho — Cameron Bouiss, Eric Gilbert and Lisa Simpson — Finn Riggins relocated to Boise in 2009 where they’ve become key players in the young music and art scene of Idaho’s largest population center. Eric Gilbert is the festival director and talent buyer for Boise’s Treefort Music Fest, which made its debut March 22-25 and put a spotlight on the town as a destination for music and the arts while raising money for independent station Radio Boise.

THE RAVENNA COLT RECORD STORE DAY EVE IN-STORE FRIDAY, APRIL 20; FREE PAYETTE BREWING CO. CRAFT BEER!

The Ravenna Colt will perform a Record Store Day Eve in-store at 7 p.m. Friday, April 20, at The Record Exchange (1105 W. Idaho St., Downtown Boise). As always, this Record Exchange in-store performance is free and all ages.

We will be serving free craft beer (21 and older with I.D.) during the in-store courtesy of our partners Payette Brewing Co.!

ABOUT THE RAVENNA COLT

The Ravenna Colt is the alias of Kentucky-born musician Johnny Quaid, a founder member of My Morning Jacket. The Ravenna Colt creates dreamlike Americana sounds that range from folk to rock while maintaining a cosmic connection. With a collective-like structure, Quaid is joined by musicians and artists that help create his vision of stories and soundscapes as told from the eyes and ears of a carpenter and troubadour.

In 1902, University of Pennsylvania professor Dennis Magner wrote The Art of Taming and Educating the Horse. In it, Magner describes an interesting case of The Ravenna Colt, a virtually untamable, yet not necessarily barbarous animal.

The Ravenna Colt, in today’s incarnation, is Quaid finally realizing and returning to his troubadour roots. He first conceptualized the group’s approach to alternative country more than a decade ago. Quaid was well immersed in music, from his own songwriting and performing to his work as a recording engineer at Above the Cadillac Studios — chops that would serve the young songwriter well.

In 1998 Johnny joined Jim James, a.k.a. Yim Yames, on a project that would change their lives — My Morning Jacket. The group worked feverishly touring and recording and has not slowed down since. Quaid lends his guitar licks and engineering style on the first three albums, The Tennessee Fire, At Dawn, and It Still Moves, as well as a barrage of EPs and singles.

Quaid departed from the group amicably at the start of 2004. He left his native Kentucky, headed west to California and worked as a carpenter while keeping a writer’s pen at hand.

He addresses this immediately on “South Of Ohio,” singing “I lost my drawl in California.” It was upon moving back east that Johnny not only picked up where he left off with Above the Cadillac, but also felt it was time to get The Colt running free.

You hear a myriad of influences in The Ravenna Colt’s debut album Slight Spell (Karate Body Records). “According to the Matador” combines the Flying Burrito Brothers’ dark, spacious twang with a traditional folk in the vein of Townes Van Zandt and Bob Dylan. The reverberated swamp boogie “Forsake and Combine” evokes southern rock with a delicate, thinking man’s edge. The dreamy and windswept “Loner in Disguise” truly highlights the cosmic in Gram Parson’s description of insurgent country as “cosmic American music.”